+
) signs
escaped, like this:
https://guides.frame.work/Guide/Framework\+Laptop\+DIY\+Edition\+Quick\+Start\+Guide/57
... which Firefox immediately transforms in:
https://guides.frame.work/Guide/Framework/+Laptop/+DIY/+Edition/+Quick/+Start/+Guide/57
I'm puzzled as to why they would send the URL that way, the proper URL
is of course:
https://guides.frame.work/Guide/Framework+Laptop+DIY+Edition+Quick+Start+Guide/57
(They have also "let the team know about this for feedback and help
resolve the problem with the link" which is a support code word for
"ha-ha! nope! not my problem right now!" Trust me, I know, my own
code word is "can you please make a ticket?")
cat > /etc/X11/xorg.conf.d/40-libinput.conf <<EOF
Section "InputClass"
Identifier "libinput touch pad catchall"
MatchIsTouchpad "on"
MatchDevicePath "/dev/input/event*"
Driver "libinput"
Option "Tapping" "on"
Option "TappingButtonMap" "lmr"
EndSection
EOF
But be aware that once you enable that tapping, you'll need to deal
with palm detection... So I have not actually enabled this in the end.
/etc/systemd/logind.conf.d/power-suspends.conf
:
[Login]
HandlePowerKey=suspend
HandlePowerKeyLongPress=poweroff
You might have to create the directory first:
mkdir /etc/systemd/logind.conf.d/
Then restart logind:
systemctl restart systemd-logind
And the power button will suspend! Long-press to power off doesn't
actually work as the laptop immediately suspends...
Note that there's probably half a dozen other ways of doing this,
see this, this, or that.
Key | Equivalent | Effect | Command |
---|---|---|---|
p | Pause | lock screen | xset s activate |
b | Break | ? | ? |
k | ScrLk | switch keyboard layout | N/A |
XF86AudioMedia
which, interestingly, does
absolutely nothing here. By default, on Windows, it opens your
browser to the Framework website and, on Linux, your "default
media player".
The keyboard backlight can be cycled with fn-space. The
dimmer version is dim enough, and the keybinding is easy to find in
the dark.
A skinny elephant would be performed with alt
PrtScr (above F11) KEY, so for
example alt fn F11 b
should do a hard reset. This comment suggests you need to hold
the fn only if "function lock" is on, but that's
actually the opposite of my experience.
Out of the box, some of the fn keys don't work. Mute,
volume up/down, brightness, monitor changes, and the airplane mode key
all do basically nothing. They don't send proper keysyms to Xorg at
all.
This is a known problem and it's related to the fact that the
laptop has light sensors to adjust the brightness
automatically. Somehow some of those keys (e.g. the brightness
controls) are supposed to show up as a different input device, but
don't seem to work correctly. It seems like the solution is for the
Framework team to write a driver specifically for this, but so far no
progress since July 2022.
In the meantime, the fancy functionality can be supposedly disabled with:
echo 'blacklist hid_sensor_hub' sudo tee /etc/modprobe.d/framework-als-blacklist.conf
... and a reboot. This solution is also documented in the upstream
guide.
Note that there's another solution flying around that fixes this by
changing permissions on the input device but I haven't tested
that or seen confirmation it works.
xbacklight
in i3, but out of the box I get
this error:
sep 29 22:09:14 angela i3[5661]: No outputs have backlight property
It just requires this blob in /etc/X11/xorg.conf.d/backlight.conf
:
Section "Device"
Identifier "Card0"
Driver "intel"
Option "Backlight" "intel_backlight"
EndSection
This way I can control the actual backlight power with the brightness
keys, and they do significantly reduce power usage.
autorandr
setup doesn't work: I have tried saving a
profile and it doesn't get autodetected, so I also first need to do:
autorandr -l framework-external-dual-lg-acer
The magic:
autorandr -l horizontal
... also works well.
The worst problem with those monitors right now is that they have a
radically smaller resolution than the main screen on the laptop, which
means I need to reset the font scaling to normal every time I switch
back and forth between those monitors and the laptop, which means I
actually need to do this:
autorandr -l horizontal &&
eho Xft.dpi: 96 xrdb -merge &&
systemctl restart terminal xcolortaillog background-image emacs &&
i3-msg restart
Kind of disruptive.
5411.85user 673.33system 1:37:46elapsed 103%CPU (0avgtext+0avgdata 831700maxresident)k
10594704inputs+87448000outputs (9131major+410636783minor)pagefaults 0swaps
This was using 16 watts of power, with full screen brightness.
With all 16 cores (make -j16
), it takes less than 25 minutes:
19251.06user 2467.47system 24:13.07elapsed 1494%CPU (0avgtext+0avgdata 831676maxresident)k
8321856inputs+87427848outputs (30792major+409145263minor)pagefaults 0swaps
I had to plug the normal power supply after a few minutes because
battery would actually run out using my desk's power grommet (34
watts).
During compilation, fans were spinning really hard, quite noisy, but
not painfully so.
The laptop was sucking 55 watts of power, steadily:
Time User Nice Sys Idle IO Run Ctxt/s IRQ/s Fork Exec Exit Watts
-------- ----- ----- ----- ----- ----- ---- ------ ------ ---- ---- ---- ------
Average 87.9 0.0 10.7 1.4 0.1 17.8 6583.6 5054.3 233.0 223.9 233.1 55.96
GeoMean 87.9 0.0 10.6 1.2 0.0 17.6 6427.8 5048.1 227.6 218.7 227.7 55.96
StdDev 1.4 0.0 1.2 0.6 0.2 3.0 1436.8 255.5 50.0 47.5 49.7 0.20
-------- ----- ----- ----- ----- ----- ---- ------ ------ ---- ---- ---- ------
Minimum 85.0 0.0 7.8 0.5 0.0 13.0 3594.0 4638.0 117.0 111.0 120.0 55.52
Maximum 90.8 0.0 12.9 3.5 0.8 38.0 10174.0 5901.0 374.0 362.0 375.0 56.41
-------- ----- ----- ----- ----- ----- ---- ------ ------ ---- ---- ---- ------
Summary:
CPU: 55.96 Watts on average with standard deviation 0.20
Note: power read from RAPL domains: package-0, uncore, package-0, core, psys.
These readings do not cover all the hardware in this device.
Memtest86+ v6.00b3 12th Gen Intel(R) Core(TM) i5-1240P
CLK/Temp: 2112MHz 78/78 C Pass 2% #
L1 Cache: 48KB 414 GB/s Test 46% ##################
L2 Cache: 1.25MB 118 GB/s Test #3 [Moving inversions, 1s & 0s]
L3 Cache: 12MB 43 GB/s Testing: 16GB - 18GB [1GB of 15.7GB]
Memory : 15.7GB 14.9 GB/s Pattern:
--------------------------------------------------------------------------------
CPU: 4P+8E-Cores (16T) SMP: 8T (PAR)) Time: 0:27:23 Status: Pass \
RAM: 1600MHz (DDR4-3200) CAS 22-22-22-51 Pass: 1 Errors: 0
--------------------------------------------------------------------------------
Memory SPD Information
----------------------
- Slot 2: 16GB DDR-4-3200 - Crucial CT16G4SFRA32A.C16FP (2022-W23)
Framework FRANMACP04
<ESC> Exit <F1> Configuration <Space> Scroll Lock 6.00.unknown.x64
So about 30 minutes for a full 16GB memory test.
Unable to find medium containing a live file system
This, it turns out, was fixed in Debian lately, so a daily GRML
build will not have this problems. The upcoming 2022 release
(likely 2022.10 or 2022.11) will also get the fix.
I did manage to boot the development version of the Debian
installer which was a surprisingly good experience: it mounted the
encrypted drives and did everything pretty smoothly. It even offered
me to reinstall the boot loader, but that ultimately (and correctly, as
it turns out) failed because I didn't have a /boot/efi
partition.
At this point, I realized there was no easy way out of this, and I
just proceeded to completely reinstall Debian. I had a spare NVMe
drive lying around (backups FTW!) so I just swapped that in, rebooted
in the Debian installer, and did a clean install. I wanted to switch
to bookworm anyways, so I guess that's done too.
/etc/ssh
/var/lib/puppet
So that I would keep the previous machine's identity. That way I could
contact the Puppet server and install whatever was missing. I used my
Puppet optimization
trick to do a batch
install and then I had a good base setup, although not exactly as it
was before. 1700 packages were installed manually on angela
before
the reinstall, and not in Puppet.
I did not inspect each one individually, but I did go through /etc
and copied over more SSH keys, for backups and SMTP over SSH.
apt install fwupd-amd64-signed
fwupdmgr refresh
fwupdmgr get-updates
fwupdmgr update
Nice. The 12th gen BIOS updates, currently (January 2023) beta,
can be deployed through LVFS with:
fwupdmgr enable-remote lvfs-testing
echo 'DisableCapsuleUpdateOnDisk=true' >> /etc/fwupd/uefi_capsule.conf
fwupdmgr update
Those instructions come from the beta forum post. I performed the
BIOS update on 2023-01-16T16:00-0500.
cat >> /etc/default/console-setup <<EOF
FONTFACE="Terminus"
FONTSIZE=32x16
EOF
echo GRUB_GFXMODE=1024x768 >> /etc/default/grub
update-grub
.Xresources
will make everything look much bigger:
! 1.5*96
Xft.dpi: 144
Apparently, some of this can also help:
! These might also be useful depending on your monitor and personal preference:
Xft.autohint: 0
Xft.lcdfilter: lcddefault
Xft.hintstyle: hintfull
Xft.hinting: 1
Xft.antialias: 1
Xft.rgba: rgb
It my experience it also makes things look a little fuzzier, which is
frustrating because you have this awesome monitor but everything looks
out of focus. Just bumping Xft.dpi
by a 1.5 factor looks good to me.
The Debian Wiki has a page on HiDPI, but it's not as good as the
Arch Wiki, where the above blurb comes from. I am not using the
latter because I suspect it's causing some of the "fuzziness".
TODO: find the equivalent of this GNOME hack in i3? (gsettings set
org.gnome.mutter experimental-features
"['scale-monitor-framebuffer']"
), taken from this Framework
guide
Quick boot
and Quiet boot
in
the BIOS to diagnose the above boot issues. This, in turn, triggers a
bug where the BIOS boot manager (F12) would just hang
completely. It would also fail to boot from an external USB drive.
The current fix (as of BIOS 3.03) is to re-enable both Quick
boot
and Quiet boot
. Presumably this is something that will get
fixed in a future BIOS update.
Note that the following keybindings are active in the BIOS POST
check:
Key | Meaning |
---|---|
F2 | Enter BIOS setup menu |
F12 | Enter BIOS boot manager |
Delete | Enter BIOS setup menu |
ip
/iw
/wpa-supplicant
(yes, after repeatedly copying a bunch more packages over to get
those bootstrapped). (Next time I should probably try something like
this post.)
Thankfully, I had a little USB-C dongle with a RJ-45 jack lying
around. That also required a firmware blob, but it was a single
package to copy over, and with that loaded, I had network.
Eventually, I did managed to make WiFi work; the problem was more on
the side of "I forgot how to configure a WPA network by hand from the
commandline" than anything else. NetworkManager worked fine and got
WiFi working correctly.
Note that this is with Debian bookworm, which has the 5.19 Linux
kernel, and with the firmware-nonfree (firmware-iwlwifi
,
specifically) package.
Time User Nice Sys Idle IO Run Ctxt/s IRQ/s Fork Exec Exit Watts
-------- ----- ----- ----- ----- ----- ---- ------ ------ ---- ---- ---- ------
Average 1.7 0.0 0.5 97.6 0.2 1.2 4684.9 1985.2 126.6 39.1 128.0 7.57
GeoMean 1.4 0.0 0.4 97.6 0.1 1.2 4416.6 1734.5 111.6 27.9 113.3 7.54
StdDev 1.0 0.2 0.2 1.2 0.0 0.5 1584.7 1058.3 82.1 44.0 80.2 0.71
-------- ----- ----- ----- ----- ----- ---- ------ ------ ---- ---- ---- ------
Minimum 0.2 0.0 0.2 94.9 0.1 1.0 2242.0 698.2 82.0 17.0 82.0 6.36
Maximum 4.1 1.1 1.0 99.4 0.2 3.0 8687.4 4445.1 463.0 249.0 449.0 9.10
-------- ----- ----- ----- ----- ----- ---- ------ ------ ---- ---- ---- ------
Summary:
System: 7.57 Watts on average with standard deviation 0.71
Expansion cards matter a lot in the battery life (see below for a
thorough discussion), my normal setup is 2xUSB-C and 1xUSB-A (yes,
with an empty slot, and yes, to save power).
Interestingly, playing a video in a (720p) window in a window takes up
more power (10.5W) than in full screen (9.5W) but I blame that on my
desktop setup (i3 + compton)... Not sure if mpv
hits the
VA-API, maybe not in windowed mode. Similar results with 1080p,
interestingly, except the window struggles to keep up altogether. Full
screen playback takes a relatively comfortable 9.5W, which means a
solid 5h+ of playback, which is fine by me.
Fooling around the web, small edits, youtube-dl
, and I'm at around 80%
battery after about an hour, with an estimated 5h left, which is a
little disappointing. I had a 7h remaining estimate before I started
goofing around Discourse, so I suspect the website is a pretty
big battery drain, actually. I see about 10-12 W, while I was probably at
half that (6-8W) just playing music with mpv
in the background...
In other words, it looks like editing posts in Discourse with Firefox
takes a solid 4-6W of power. Amazing and gross.
(When writing about abusive power usage generates more power usage, is
that an heisenbug? Or schr dinbug?)
tlp-stat -b
and, unfortunately, the "ampere"
unit makes it quite hard to compare those, because voltage is not
necessarily the same between the two platforms.
enable_fbc=1
powertop --auto-tune
apt install tlp && systemctl enable tlp
nvme.noacpi=1 mem_sleep_default=deep
on the kernel command line
may help with standby power usagetlp.conf
: tlp.patch.
Specifically, the kernel's energy-aware scheduling heuristics don't work well on those CPUs. A number of features present there complicate the energy picture; these include SMT, Intel's "turbo boost" mode, and the CPU's internal power-management mechanisms. For many workloads, running on an ostensibly more power-hungry Pcore can be more efficient than using an Ecore. Time for discussion of the problem was lacking, though, and the session came to a close.All this to say that the 12gen Intel line shipped with this Framework series should have better power management thanks to its power-saving cores. And Linux has had the scheduler changes to make use of this (but maybe is still having trouble). In any case, this might not be the source of power management problems on my laptop, quite the opposite. Also note that the firmware updates for various chipsets are supposed to improve things eventually. On the other hand, The Verge simply declared the whole P-series a mistake...
powertop --auto-tune
and tlp
's
PCIE_ASPM_ON_BAT=powersupersave
basically did nothing: I was stuck
at 10W power usage in powertop (600+mA in tlp-stat
).
Apparently, I should be able to reach the C8
CPU power state (or
even C9
, C10
) in powertop, but I seem to be stock at
C7
. (Although I'm not sure how to read that tab in powertop: in the
Core(HW
) column there's only C3/C6/C7 states, and most cores are 85%
in C7 or maybe C6. But the next column over does show many CPUs in
C10 states...
As it turns out, the graphics card actually takes up a good chunk of
power unless proper power management is enabled (see below). After
tweaking this, I did manage to get down to around 7W power usage in
powertop.
Expansion cards actually do take up power, and so does the screen,
obviously. The fully-lit screen takes a solid 2-3W of power compared
to the fully dimmed screen. When removing all expansion cards and
making the laptop idle, I can spin it down to 4 watts power usage at
the moment, and an amazing 2 watts when the screen turned off.
Device | Minimum | Average | Max | Stdev | Note |
---|---|---|---|---|---|
Screen, 100% | 2.4W | 2.6W | 2.8W | N/A | |
Screen, 1% | 30mW | 140mW | 250mW | N/A | |
Backlight 1 | 290mW | ? | ? | ? | fairly small, all things considered |
Backlight 2 | 890mW | 1.2W | 3W? | 460mW? | geometric progression |
Backlight 3 | 1.69W | 1.5W | 1.8W? | 390mW? | significant power use |
Radios | 100mW | 250mW | N/A | N/A | |
USB-C | N/A | N/A | N/A | N/A | negligible power drain |
USB-A | 10mW | 10mW | ? | 10mW | almost negligible |
DisplayPort | 300mW | 390mW | 600mW | N/A | not passive |
HDMI | 380mW | 440mW | 1W? | 20mW | not passive |
1TB SSD | 1.65W | 1.79W | 2W | 12mW | significant, probably higher when busy |
MicroSD | 1.6W | 3W | 6W | 1.93W | highest power usage, possibly even higher when busy |
Ethernet | 1.69W | 1.64W | 1.76W | N/A | comparable to the SSD card |
It seems the USB A must have power going to it all the time, that the old USB 2 and 3 protocols, the USB C only provides power when there is a connection. Old versus new.Apparently, this is a problem specific to the USB-C to USB-A adapter that ships with the Framework. Some people have actually changed their orders to all USB-C because of this problem, but I'm not sure the problem is as serious as claimed in the forums. I couldn't reproduce the "one watt" power drains suggested elsewhere, at least not repeatedly. (A previous version of this post did show such a power drain, but it was in a less controlled test environment than the series of more rigorous tests above.) The worst offenders are the storage cards: the SSD drive takes at least one watt of power and the MicroSD card seems to want to take all the way up to 6 watts of power, both just sitting there doing nothing. This confirms claims of 1.4W for the SSD (but not 5W) power usage found elsewhere. The former post has instructions on how to disable the card in software. The MicroSD card has been reported as using 2 watts, but I've seen it as high as 6 watts, which is pretty damning. The Framework team has a beta update for the DisplayPort adapter but currently only for Windows (LVFS technically possible, "under investigation"). A USB-A firmware update is also under investigation. It is therefore likely at least some of those power management issues will eventually be fixed. Note that the upcoming Ethernet card has a reported 2-8W power usage, depending on traffic. I did my own power usage tests in powerstat-wayland and they seem lower than 2W. The upcoming 6.2 Linux kernel might also improve battery usage when idle, see this Phoronix article for details, likely in early 2023.
Device | Minimum | Average | Max | Stdev | Note |
---|---|---|---|---|---|
Baseline | 1.96W | 2.01W | 2.11W | 30mW | 1 USB-C, screen off, backlight off, no radios |
2 USB-C | 1.95W | 2.16W | 3.69W | 430mW | USB-C confirmed as mostly passive... |
3 USB-C | 1.95W | 2.16W | 3.69W | 430mW | ... although with extra stdev |
1TB SSD | 3.72W | 3.85W | 4.62W | 200mW | unchanged from before upgrade |
1 USB-A | 1.97W | 2.18W | 4.02W | 530mW | unchanged |
2 USB-A | 1.97W | 2.00W | 2.08W | 30mW | unchanged |
3 USB-A | 1.94W | 1.99W | 2.03W | 20mW | unchanged |
MicroSD w/o card | 3.54W | 3.58W | 3.71W | 40mW | significant improvement! 2-3W power saving! |
MicroSD w/ card | 3.53W | 3.72W | 5.23W | 370mW | new measurement! increased deviation |
DisplayPort | 2.28W | 2.31W | 2.37W | 20mW | unchanged |
1 HDMI | 2.43W | 2.69W | 4.53W | 460mW | unchanged |
2 HDMI | 2.53W | 2.59W | 2.67W | 30mW | unchanged |
External USB | 3.85W | 3.89W | 3.94W | 30mW | new result |
Ethernet | 3.60W | 3.70W | 4.91W | 230mW | unchanged |
sep 28 11:19:45 angela systemd-sleep[209379]: /sys/class/power_supply/BAT/charge_now = 6045 [mAh]
... to this:
sep 28 11:29:47 angela systemd-sleep[209725]: /sys/class/power_supply/BAT/charge_now = 6037 [mAh]
That's 8mAh per 10 minutes (and 2 seconds), or 48mA, or, with this
battery, about 127 hours or roughly 5 days of standby. Not bad!
In comparison, here is my really old x220, before:
sep 29 22:13:54 emma systemd-sleep[176315]: /sys/class/power_supply/BAT0/energy_now = 5070 [mWh]
... after:
sep 29 22:23:54 emma systemd-sleep[176486]: /sys/class/power_supply/BAT0/energy_now = 4980 [mWh]
... which is 90 mwH in 10 minutes, or a whopping 540mA, which was
possibly okay when this battery was new (62000 mAh, so about 100
hours, or about 5 days), but this battery is almost dead and has
only 5210 mAh when full, so only 10 hours standby.
And here is the Framework performing a similar test, before:
sep 29 22:27:04 angela systemd-sleep[4515]: /sys/class/power_supply/BAT1/charge_full = 3518 [mAh]
sep 29 22:27:04 angela systemd-sleep[4515]: /sys/class/power_supply/BAT1/charge_now = 2861 [mAh]
... after:
sep 29 22:37:08 angela systemd-sleep[4743]: /sys/class/power_supply/BAT1/charge_now = 2812 [mAh]
... which is 49mAh in a little over 10 minutes (and 4 seconds), or
292mA, much more than the Purism, but half of the X220. At this rate,
the battery would last on standby only 12 hours!! That is pretty
bad.
Note that this was done with the following expansion cards:
nvme.noacpi=1
but this
still gives me about 5mAh/min (or 300mA).
Adding mem_sleep_default=deep
to the kernel command line does make a
difference. Before:
sep 29 23:03:11 angela systemd-sleep[3699]: /sys/class/power_supply/BAT1/charge_now = 2544 [mAh]
... after:
sep 29 23:04:25 angela systemd-sleep[4039]: /sys/class/power_supply/BAT1/charge_now = 2542 [mAh]
... which is 2mAh in 74 seconds, which is 97mA, brings us to a more
reasonable 36 hours, or a day and a half. It's still above the x220
power usage, and more than an order of magnitude more than the Purism
laptop. It's also far from the 0.4% promised by upstream, which
would be 14mA for the 3500mAh battery.
It should also be noted that this "deep" sleep mode is a little more
disruptive than regular sleep. As you can see by the timing, it took
more than 10 seconds for the laptop to resume, which feels a little
alarming as your banging the keyboard to bring it back to life.
You can confirm the current sleep mode with:
# cat /sys/power/mem_sleep
s2idle [deep]
In the above, deep
is selected. You can change it on the fly with:
printf s2idle > /sys/power/mem_sleep
Here's another test:
sep 30 22:25:50 angela systemd-sleep[32207]: /sys/class/power_supply/BAT1/charge_now = 1619 [mAh]
sep 30 22:31:30 angela systemd-sleep[32516]: /sys/class/power_supply/BAT1/charge_now = 1613 [mAh]
... better! 6 mAh in about 6 minutes, works out to 63.5mA, so more
than two days standby.
A longer test:
oct 01 09:22:56 angela systemd-sleep[62978]: /sys/class/power_supply/BAT1/charge_now = 3327 [mAh]
oct 01 12:47:35 angela systemd-sleep[63219]: /sys/class/power_supply/BAT1/charge_now = 3147 [mAh]
That's 180mAh in about 3.5h, 52mA! Now at 66h, or almost 3 days.
I wasn't sure why I was seeing such fluctuations in those tests, but
as it turns out, expansion card power tests show that they do
significantly affect power usage, especially the SSD drive, which can
take up to two full watts of power even when idle. I didn't control
for expansion cards in the above tests running them with whatever
card I had plugged in without paying attention so it's likely the
cause of the high power usage and fluctuations.
It might be possible to work around this problem by disabling USB
devices before suspend. TODO. See also this post.
In the meantime, I have been able to get much better suspend
performance by unplugging all modules. Then I get this result:
oct 04 11:15:38 angela systemd-sleep[257571]: /sys/class/power_supply/BAT1/charge_now = 3203 [mAh]
oct 04 15:09:32 angela systemd-sleep[257866]: /sys/class/power_supply/BAT1/charge_now = 3145 [mAh]
Which is 14.8mA! Almost exactly the number promised by Framework! With
a full battery, that means a 10 days suspend time. This is actually
pretty good, and far beyond what I was expecting when starting down
this journey.
So, once the expansion cards are unplugged, suspend power usage is
actually quite reasonable. More detailed standby tests are available
in the standby-tests page, with a summary below.
There is also some hope that the Chromebook edition
specifically designed with a specification of 14 days standby
time could bring some firmware improvements back down to the
normal line. Some of those issues were reported upstream in April
2022, but there doesn't seem to have been any progress there
since.
TODO: one final solution here is suspend-then-hibernate, which
Windows uses for this
TODO: consider implementing the S0ix sleep states , see also troubleshooting
TODO: consider https://github.com/intel/pm-graph
Device | Wattage | Amperage | Days | Note |
---|---|---|---|---|
baseline | 0.25W | 16mA | 9 | sleep=deep nvme.noacpi=1 |
s2idle | 0.29W | 18.9mA | ~7 | sleep=s2idle nvme.noacpi=1 |
normal nvme | 0.31W | 20mA | ~7 | sleep=s2idle without nvme.noacpi=1 |
1 USB-C | 0.23W | 15mA | ~10 | |
2 USB-C | 0.23W | 14.9mA | same as above | |
1 USB-A | 0.75W | 48.7mA | 3 | +500mW (!!) for the first USB-A card! |
2 USB-A | 1.11W | 72mA | 2 | +360mW |
3 USB-A | 1.48W | 96mA | <2 | +370mW |
1TB SSD | 0.49W | 32mA | <5 | +260mW |
MicroSD | 0.52W | 34mA | ~4 | +290mW |
DisplayPort | 0.85W | 55mA | <3 | +620mW (!!) |
1 HDMI | 0.58W | 38mA | ~4 | +250mW |
2 HDMI | 0.65W | 42mA | <4 | +70mW |
Device | Wattage | Amperage | Days | Note |
---|---|---|---|---|
baseline | 0.25W | 16mA | 9 | no cards, same as before upgrade |
1 USB-C | 0.25W | 16mA | 9 | same as before |
2 USB-C | 0.25W | 16mA | 9 | same |
1 USB-A | 0.80W | 62mA | 3 | +550mW!! worse than before |
2 USB-A | 1.12W | 73mA | <2 | +320mW, on top of the above, bad! |
Ethernet | 0.62W | 40mA | 3-4 | new result, decent |
1TB SSD | 0.52W | 34mA | 4 | a bit worse than before (+2mA) |
MicroSD | 0.51W | 22mA | 4 | same |
DisplayPort | 0.52W | 34mA | 4+ | upgrade improved by 300mW |
1 HDMI | ? | 38mA | ? | same |
2 HDMI | ? | 45mA | ? | a bit worse than before (+3mA) |
Normal | 1.08W | 70mA | ~2 | Ethernet, 2 USB-C, USB-A |
sudo ectool fwchargelimit 80
I looked at building this myself but failed to run it. I opened a
RFP in Debian so that we can ship this in Debian, and also documented
my work there.
Note that there is now a counter that tracks charge/discharge
cycles. It's visible in tlp-stat -b
, which is a nice
improvement:
root@angela:/home/anarcat# tlp-stat -b
--- TLP 1.5.0 --------------------------------------------
+++ Battery Care
Plugin: generic
Supported features: none available
+++ Battery Status: BAT1
/sys/class/power_supply/BAT1/manufacturer = NVT
/sys/class/power_supply/BAT1/model_name = Framewo
/sys/class/power_supply/BAT1/cycle_count = 3
/sys/class/power_supply/BAT1/charge_full_design = 3572 [mAh]
/sys/class/power_supply/BAT1/charge_full = 3541 [mAh]
/sys/class/power_supply/BAT1/charge_now = 1625 [mAh]
/sys/class/power_supply/BAT1/current_now = 178 [mA]
/sys/class/power_supply/BAT1/status = Discharging
/sys/class/power_supply/BAT1/charge_control_start_threshold = (not available)
/sys/class/power_supply/BAT1/charge_control_end_threshold = (not available)
Charge = 45.9 [%]
Capacity = 99.1 [%]
One thing that is still missing is the charge threshold data (the
(not available)
above). There's been some work to make that
accessible in August, stay tuned? This would also make it possible
implement hysteresis support.
powertop
service which I run at boot time to tweak some power saving
settings.
It seems like this:
echo 'on' > '/sys/bus/usb/devices/4-2/power/control'
... is a good workaround to bring the card back online. You can even
return to power saving mode and the card will still work:
echo 'auto' > '/sys/bus/usb/devices/4-2/power/control'
Further research by Matt_Hartley from the Framework
Team found this issue in the tlp tracker that shows how the
USB_AUTOSUSPEND
setting enables the power saving even if the
driver doesn't support it, which, in retrospect, just sounds like a
bad idea. To quote that issue:
By default, USB power saving is active in the kernel, but not force-enabled for incompatible drivers. That is, devices that support suspension will suspend, drivers that do not, will not.So the fix is actually to uninstall
tlp
or disable that setting by
adding this to /etc/tlp.conf
:
USB_AUTOSUSPEND=0
... but that disables auto-suspend on all USB devices, which may
hurt other power usage performance. I have found that a a
combination of:
USB_AUTOSUSPEND=1
USB_DENYLIST="0bda:8156"
and this on the kernel commandline:
usbcore.quirks=0bda:8156:k
... actually does work correctly. I now have this in my
/etc/default/grub.d/framework-tweaks.cfg
file:
# net.ifnames=0: normal interface names ffs (e.g. eth0, wlan0, not wlp166
s0)
# nvme.noacpi=1: reduce SSD disk power usage (not working)
# mem_sleep_default=deep: reduce power usage during sleep (not working)
# usbcore.quirk is a workaround for the ethernet card suspend bug: https:
//guides.frame.work/Guide/Fedora+37+Installation+on+the+Framework+Laptop/
108?lang=en
GRUB_CMDLINE_LINUX="net.ifnames=0 nvme.noacpi=1 mem_sleep_default=deep usbcore.quirks=0bda:8156:k"
# fix the resolution in grub for fonts to not be tiny
GRUB_GFXMODE=1024x768
Other than that, I haven't been able to max out the card because I
don't have other 2.5Gbit/s equipment at home, which is strangely
satisfying. But running against my Turris Omnia
router, I could pretty much max a gigabit fairly easily:
[ ID] Interval Transfer Bitrate Retr
[ 5] 0.00-10.00 sec 1.09 GBytes 937 Mbits/sec 238 sender
[ 5] 0.00-10.00 sec 1.09 GBytes 934 Mbits/sec receiver
The card doesn't require any proprietary firmware blobs which is
surprising. Other than the power saving issues, it just works.
In my power tests (see powerstat-wayland), the Ethernet card seems
to use about 1.6W of power idle, without link, in the above "quirky"
configuration where the card is functional but without autosuspend.
cd /lib/firmware && rm adlp_guc_70.1.1.bin adlp_guc_69.0.3.bin
update-initramfs -u
You will get the following warning during build, which is good as
it means the problematic firmware is disabled:
W: Possible missing firmware /lib/firmware/i915/adlp_guc_69.0.3.bin for module i915
W: Possible missing firmware /lib/firmware/i915/adlp_guc_70.1.1.bin for module i915
But then it also means that critical firmware isn't loaded, which
means, among other things, a higher battery drain. I was able to move
from 8.5-10W down to the 7W range after making the firmware work
properly. This is also after turning the backlight all the way down,
as that takes a solid 2-3W in full blast.
The proper fix is to use some compositing manager. I ended up using
compton with the following systemd unit:
[Unit]
Description=start compositing manager
PartOf=graphical-session.target
ConditionHost=angela
[Service]
Type=exec
ExecStart=compton --show-all-xerrors --backend glx --vsync opengl-swc
Restart=on-failure
[Install]
RequiredBy=graphical-session.target
compton
is orphaned however, so you might be tempted to use
picom instead, but in my experience the latter uses much
more power (1-2W extra, similar experience). I also tried
compiz
but it would just crash with:
anarcat@angela:~$ compiz --replace
compiz (core) - Warn: No XI2 extension
compiz (core) - Error: Another composite manager is already running on screen: 0
compiz (core) - Fatal: No manageable screens found on display :0
When running from the base session, I would get this instead:
compiz (core) - Warn: No XI2 extension
compiz (core) - Error: Couldn't load plugin 'ccp'
compiz (core) - Error: Couldn't load plugin 'ccp'
Thanks to EmanueleRocca for figuring all that out. See also this
discussion about power management on the Framework forum.
Note that Wayland environments do not require any special
configuration here and actually work better, see my Wayland migration
notes for details.
dmesg
:
[ 19.534429] Intel(R) Wireless WiFi driver for Linux
[ 19.534691] iwlwifi 0000:a6:00.0: enabling device (0000 -> 0002)
[ 19.541867] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-72.ucode (-2)
[ 19.541881] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-72.ucode (-2)
[ 19.541882] iwlwifi 0000:a6:00.0: Direct firmware load for iwlwifi-ty-a0-gf-a0-72.ucode failed with error -2
[ 19.541890] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-71.ucode (-2)
[ 19.541895] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-71.ucode (-2)
[ 19.541896] iwlwifi 0000:a6:00.0: Direct firmware load for iwlwifi-ty-a0-gf-a0-71.ucode failed with error -2
[ 19.541903] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-70.ucode (-2)
[ 19.541907] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-70.ucode (-2)
[ 19.541908] iwlwifi 0000:a6:00.0: Direct firmware load for iwlwifi-ty-a0-gf-a0-70.ucode failed with error -2
[ 19.541913] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-69.ucode (-2)
[ 19.541916] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-69.ucode (-2)
[ 19.541917] iwlwifi 0000:a6:00.0: Direct firmware load for iwlwifi-ty-a0-gf-a0-69.ucode failed with error -2
[ 19.541922] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-68.ucode (-2)
[ 19.541926] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-68.ucode (-2)
[ 19.541927] iwlwifi 0000:a6:00.0: Direct firmware load for iwlwifi-ty-a0-gf-a0-68.ucode failed with error -2
[ 19.541933] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-67.ucode (-2)
[ 19.541937] iwlwifi 0000:a6:00.0: firmware: failed to load iwlwifi-ty-a0-gf-a0-67.ucode (-2)
[ 19.541937] iwlwifi 0000:a6:00.0: Direct firmware load for iwlwifi-ty-a0-gf-a0-67.ucode failed with error -2
[ 19.544244] iwlwifi 0000:a6:00.0: firmware: direct-loading firmware iwlwifi-ty-a0-gf-a0-66.ucode
[ 19.544257] iwlwifi 0000:a6:00.0: api flags index 2 larger than supported by driver
[ 19.544270] iwlwifi 0000:a6:00.0: TLV_FW_FSEQ_VERSION: FSEQ Version: 0.63.2.1
[ 19.544523] iwlwifi 0000:a6:00.0: firmware: failed to load iwl-debug-yoyo.bin (-2)
[ 19.544528] iwlwifi 0000:a6:00.0: firmware: failed to load iwl-debug-yoyo.bin (-2)
[ 19.544530] iwlwifi 0000:a6:00.0: loaded firmware version 66.55c64978.0 ty-a0-gf-a0-66.ucode op_mode iwlmvm
Some of those are available in the latest upstream firmware package
(iwlwifi-ty-a0-gf-a0-71.ucode
, -68
, and -67
), but not all
(e.g. iwlwifi-ty-a0-gf-a0-72.ucode
is missing) . It's unclear what
those do or don't, as the WiFi seems to work well without them.
I still copied them in from the latest linux-firmware package in the
hope they would help with power management, but I did not notice a
change after loading them.
There are also multiple knobs on the iwlwifi
and iwlmvm
drivers. The latter has a power_schmeme
setting which defaults to
2
(balanced
), setting it to 3
(low power
) could improve
battery usage as well, in theory. The iwlwifi
driver also has
power_save
(defaults to disabled) and power_level
(1-5, defaults
to 1
) settings. See also the output of modinfo iwlwifi
and
modinfo iwlmvm
for other driver options.
compton
, above), I tested the classic
glxgears
.
Running in a window gives me odd results, as the gears basically grind
to a halt:
Running synchronized to the vertical refresh. The framerate should be
approximately the same as the monitor refresh rate.
137 frames in 5.1 seconds = 26.984 FPS
27 frames in 5.4 seconds = 5.022 FPS
Ouch. 5FPS!
But interestingly, once the window is in full screen, it does hit the
monitor refresh rate:
300 frames in 5.0 seconds = 60.000 FPS
I'm not really a gamer and I'm not normally using any of that fancy
graphics acceleration stuff (except maybe my browser does?).
I installed intel-gpu-tools for the intel_gpu_top
command to confirm the GPU was engaged when doing those simulations. A
nice find. Other useful diagnostic tools include glxgears
and
glxinfo
(in mesa-utils) and (vainfo
in vainfo).
Following to this post, I also made sure to have those settings
in my about:config
in Firefox, or, in user.js
:
user_pref("media.ffmpeg.vaapi.enabled", true);
Note that the guide suggests many other settings to tweak, but those
might actually be overkill, see this comment and its parents. I
did try forcing hardware acceleration by setting gfx.webrender.all
to true
, but everything became choppy and weird.
The guide also mentions installing the intel-media-driver
package,
but I could not find that in Debian.
The Arch wiki has, as usual, an excellent reference on hardware
acceleration in Firefox.
~/.config/chromium-flags.conf
but that doesn't actually work in
Debian. I had to put the flag in
/etc/chromium.d/disable-compositing
, like this:
export CHROMIUM_FLAGS="$CHROMIUM_FLAGS --disable-gpu-compositing"
It's possible another one of the hundreds of flags might fix this
issue better, but I don't really have time to go through this entire,
incomplete, and unofficial list (!?!).
Signal Desktop is a similar problem, and doesn't reuse those flags
(because of course it doesn't). Instead I had to rewrite the wrapper
script in /usr/local/bin/signal-desktop
to use this instead:
exec /usr/bin/flatpak run --branch=stable --arch=x86_64 org.signal.Signal --disable-gpu-compositing "$@"
This was mostly done in this Puppet commit.
I haven't figured out the root of this problem. I did try using
picom
and xcompmgr
; they both suffer from the same issue. Another
Debian testing user on Wayland told me they haven't seen this problem,
so hopefully this can be fixed by switching to
wayland.
Jan 20 12:49:10 angela kernel: Asynchronous wait on fence 0000:00:02.0:sway[104431]:cb0ae timed out (hint:intel_atomic_commit_ready [i915])
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] GPU HANG: ecode 12:0:00000000
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] Resetting chip for stopped heartbeat on rcs0
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] GuC firmware i915/adlp_guc_70.1.1.bin version 70.1
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] HuC firmware i915/tgl_huc_7.9.3.bin version 7.9
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] HuC authenticated
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] GuC submission enabled
Jan 20 12:49:15 angela kernel: i915 0000:00:02.0: [drm] GuC SLPC enabled
It's a solid 30 seconds graphical hang. Maybe the keyboard and
everything else keeps working. The latter bug report is quite long,
with many comments, but this one from January 2023 seems to say
that Sway 1.8 fixed the problem. There's also an earlier patch to
add an extra kernel parameter that supposedly fixes that too. There's
all sorts of other workarounds in there, for example this:
echo "options i915 enable_dc=1 enable_guc_loading=1 enable_guc_submission=1 edp_vswing=0 enable_guc=2 enable_fbc=1 enable_psr=1 disable_power_well=0" sudo tee /etc/modprobe.d/i915.conf
from this comment... So that one is unsolved, as far as the
upstream drivers are concerned, but maybe could be fixed through Sway.
#framework
on https://libera.chat/lsbusb
.
I ve also seen the USB keyboard drop keypresses, which is also ... not
fun. I suspect foul play inside Sway.
And yeah, those things are costly! This one goes for 300$ a pop, not
great.
Update 2: Cable Matters support responded by simply giving me this
hack that solved it at least for now. Just reverse the USB-C cable,
and poof, everything works. Magic.
#!/bin/bash
# Either rb3011 (arm) or rb5009 (arm64)
#HOSTNAME="rb3011"
HOSTNAME="rb5009"
if [ "x$ HOSTNAME " == "xrb3011" ]; then
ARCH=armhf
elif [ "x$ HOSTNAME " == "xrb5009" ]; then
ARCH=arm64
else
echo "Unknown host: $ HOSTNAME "
exit 1
fi
BASE_DIR=$(dirname $0)
IMAGE_FILE=$(mktemp --tmpdir router.$ ARCH .XXXXXXXXXX.img)
MOUNT_POINT=$(mktemp -p /mnt -d router.$ ARCH .XXXXXXXXXX)
# Build and mount an ext4 image file to put the root file system in
dd if=/dev/zero bs=1 count=0 seek=1G of=$ IMAGE_FILE
mkfs -t ext4 $ IMAGE_FILE
mount -o loop $ IMAGE_FILE $ MOUNT_POINT
# Add dpkg excludes
mkdir -p $ MOUNT_POINT /etc/dpkg/dpkg.cfg.d/
cat <<EOF > $ MOUNT_POINT /etc/dpkg/dpkg.cfg.d/path-excludes
# Exclude docs
path-exclude=/usr/share/doc/*
# Only locale we want is English
path-exclude=/usr/share/locale/*
path-include=/usr/share/locale/en*/*
path-include=/usr/share/locale/locale.alias
# No man pages
path-exclude=/usr/share/man/*
EOF
# Setup fstab + mtab
echo "# Empty fstab as root is pre-mounted" > $ MOUNT_POINT /etc/fstab
ln -s ../proc/self/mounts $ MOUNT_POINT /etc/mtab
# Setup hostname
echo $ HOSTNAME > $ MOUNT_POINT /etc/hostname
# Add the root SSH keys
mkdir -p $ MOUNT_POINT /root/.ssh/
cat <<EOF > $ MOUNT_POINT /root/.ssh/authorized_keys
ssh-rsa AAAAB3NzaC1yc2EAAAABIwAAAQEAv8NkUeVdsVdegS+JT9qwFwiHEgcC9sBwnv6RjpH6I4d3im4LOaPOatzneMTZlH8Gird+H4nzluciBr63hxmcFjZVW7dl6mxlNX2t/wKvV0loxtEmHMoI7VMCnrWD0PyvwJ8qqNu9cANoYriZRhRCsBi27qPNvI741zEpXN8QQs7D3sfe4GSft9yQplfJkSldN+2qJHvd0AHKxRdD+XTxv1Ot26+ZoF3MJ9MqtK+FS+fD9/ESLxMlOpHD7ltvCRol3u7YoaUo2HJ+u31l0uwPZTqkPNS9fkmeCYEE0oXlwvUTLIbMnLbc7NKiLgniG8XaT0RYHtOnoc2l2UnTvH5qsQ== noodles@earth.li
ssh-rsa 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 noodles@yubikey
ssh-rsa AAAAB3NzaC1yc2EAAAADAQABAAABAQC0I8UHj4IpfqUcGE4cTvLB0d2xmATSUzqtxW6ZhGbZxvQDKJesVW6HunrJ4NFTQuQJYgOXY/o82qBpkEKqaJMEFHTCjcaj3M6DIaxpiRfQfs0nhtzDB6zPiZn9Suxb0s5Qr4sTWd6iI9da72z3hp9QHNAu4vpa4MSNE+al3UfUisUf4l8TaBYKwQcduCE0z2n2FTi3QzmlkOgH4MgyqBBEaqx1tq7Zcln0P0TYZXFtrxVyoqBBIoIEqYxmFIQP887W50wQka95dBGqjtV+d8IbrQ4pB55qTxMd91L+F8n8A6nhQe7DckjS0Xdla52b9RXNXoobhtvx9K2prisagsHT noodles@cup
ecdsa-sha2-nistp256 AAAAE2VjZHNhLXNoYTItbmlzdHAyNTYAAAAIbmlzdHAyNTYAAABBBK6iGog3WbNhrmrkglNjVO8/B6m7mN6q1tMm1sXjLxQa+F86ETTLiXNeFQVKCHYrk8f7hK0d2uxwgj6Ixy9k0Cw= noodles@sevai
EOF
# Bootstrap our install
debootstrap \
--arch=$ ARCH \
--include=collectd-core,conntrack,dnsmasq,ethtool,iperf3,kexec-tools,mosquitto,mtd-utils,mtr-tiny,ppp,tcpdump,rng-tools5,ssh,watchdog,wget \
--exclude=dmidecode,isc-dhcp-client,isc-dhcp-common,makedev,nano \
bullseye $ MOUNT_POINT https://deb.debian.org/debian/
debootstrap
step, including a bunch of extra packages that we want.
# Install mqtt-arp
cp $ BASE_DIR /debs/mqtt-arp_1_$ ARCH .deb $ MOUNT_POINT /tmp
chroot $ MOUNT_POINT dpkg -i /tmp/mqtt-arp_1_$ ARCH .deb
rm $ MOUNT_POINT /tmp/mqtt-arp_1_$ ARCH .deb
# Frob the mqtt-arp config so it starts after mosquitto
sed -i -e 's/After=.*/After=mosquitto.service/' $ MOUNT_POINT /lib/systemd/system/mqtt-arp.service
# Frob watchdog so it starts earlier than multi-user
sed -i -e 's/After=.*/After=basic.target/' $ MOUNT_POINT /lib/systemd/system/watchdog.service
# Make sure the watchdog is poking the device file
sed -i -e 's/^#watchdog-device/watchdog-device/' $ MOUNT_POINT /etc/watchdog.conf
# Clean up docs + locales
rm -r $ MOUNT_POINT /usr/share/doc/*
rm -r $ MOUNT_POINT /usr/share/man/*
for dir in $ MOUNT_POINT /usr/share/locale/*/; do
if [ "$ dir " != "$ MOUNT_POINT /usr/share/locale/en/" ]; then
rm -r $ dir
fi
done
# Set root password to root
echo "root:root" chroot $ MOUNT_POINT chpasswd
# Add security to sources.list + update
echo "deb https://security.debian.org/debian-security bullseye-security main" >> $ MOUNT_POINT /etc/apt/sources.list
chroot $ MOUNT_POINT apt update
chroot $ MOUNT_POINT apt -y full-upgrade
chroot $ MOUNT_POINT apt clean
# Cleanup the APT lists
rm $ MOUNT_POINT /var/lib/apt/lists/www.*
rm $ MOUNT_POINT /var/lib/apt/lists/security.*
# Disable the daily APT timer
rm $ MOUNT_POINT /etc/systemd/system/timers.target.wants/apt-daily.timer
# Disable daily dpkg backup
cat <<EOF > $ MOUNT_POINT /etc/cron.daily/dpkg
#!/bin/sh
# Don't do the daily dpkg backup
exit 0
EOF
# We don't want a persistent systemd journal
rmdir $ MOUNT_POINT /var/log/journal
# Enable nftables
ln -s /lib/systemd/system/nftables.service \
$ MOUNT_POINT /etc/systemd/system/sysinit.target.wants/nftables.service
# Add systemd-coredump + systemd-timesync user / group
echo "systemd-timesync:x:998:" >> $ MOUNT_POINT /etc/group
echo "systemd-coredump:x:999:" >> $ MOUNT_POINT /etc/group
echo "systemd-timesync:!*::" >> $ MOUNT_POINT /etc/gshadow
echo "systemd-coredump:!*::" >> $ MOUNT_POINT /etc/gshadow
echo "systemd-timesync:x:998:998:systemd Time Synchronization:/:/usr/sbin/nologin" >> $ MOUNT_POINT /etc/passwd
echo "systemd-coredump:x:999:999:systemd Core Dumper:/:/usr/sbin/nologin" >> $ MOUNT_POINT /etc/passwd
echo "systemd-timesync:!*:47358::::::" >> $ MOUNT_POINT /etc/shadow
echo "systemd-coredump:!*:47358::::::" >> $ MOUNT_POINT /etc/shadow
# Create /etc/.pwd.lock, otherwise it'll end up in the overlay
touch $ MOUNT_POINT /etc/.pwd.lock
chmod 600 $ MOUNT_POINT /etc/.pwd.lock
# Copy config files
cp --recursive --preserve=mode,timestamps $ BASE_DIR /etc/* $ MOUNT_POINT /etc/
cp --recursive --preserve=mode,timestamps $ BASE_DIR /etc-$ ARCH /* $ MOUNT_POINT /etc/
chroot $ MOUNT_POINT chown mosquitto /etc/mosquitto/mosquitto.users
chroot $ MOUNT_POINT chown mosquitto /etc/ssl/mqtt.home.key
# Build symlinks into flash for boot / modules
ln -s /mnt/flash/lib/modules $ MOUNT_POINT /lib/modules
rmdir $ MOUNT_POINT /boot
ln -s /mnt/flash/boot $ MOUNT_POINT /boot
# Put our git revision into os-release
echo -n "GIT_VERSION=" >> $ MOUNT_POINT /etc/os-release
(cd $ BASE_DIR ; git describe --tags) >> $ MOUNT_POINT /etc/os-release
# Add some stuff to root's .bashrc
cat << EOF >> $ MOUNT_POINT /root/.bashrc
alias ls='ls -F --color=auto'
eval "\$(dircolors)"
case "\$TERM" in
xterm* rxvt*)
PS1="\\[\\e]0;\\u@\\h: \\w\a\\]\$PS1"
;;
*)
;;
esac
EOF
# Build the squashfs
mksquashfs $ MOUNT_POINT /tmp/router.$ ARCH .squashfs \
-comp xz
# Save the installed package list off
chroot $ MOUNT_POINT dpkg --get-selections > /tmp/wip-installed-packages
/etc
, shared across both routers are the following:
apt/apt.conf.d/10periodic
, apt/apt.conf.d/local-recommends
default/locale
dnsmasq.conf
, dnsmasq.d/dhcp-ranges
, dnsmasq.d/static-ips
hosts
, resolv.conf
sysctl.conf
logrotate.conf
, rsyslog.conf
mosquitto/mosquitto.users
, mosquitto/conf.d/ssl.conf
, mosquitto/conf.d/users.conf
, mosquitto/mosquitto.acl
, mosquitto/mosquitto.conf
mqtt-arp.conf
ssl/lets-encrypt-r3.crt
, ssl/mqtt.home.key
, ssl/mqtt.home.crt
ppp/ip-up.d/0000usepeerdns
, ppp/ipv6-up.d/defaultroute
, ppp/pap-secrets
, ppp/chap-secrets
network/interfaces.d/pppoe-wan
nftables.conf
dnsmasq.d/interfaces
network/interfaces.d/eth0
, network/interfaces.d/p1
, network/interfaces.d/p2
, network/interfaces.d/p7
, network/interfaces.d/p8
ppp/peers/aquiss
ssh/ssh_host_ecdsa_key
, ssh/ssh_host_ed25519_key
, ssh/ssh_host_rsa_key
, ssh/ssh_host_ecdsa_key.pub
, ssh/ssh_host_ed25519_key.pub
, ssh/ssh_host_rsa_key.pub
collectd/collectd.conf
, collectd/collectd.conf.d/network.conf
Barbie No, seriously! If anyone can make a good film about a doll franchise, it's probably Greta Gerwig. Not only was Little Women (2019) more than admirable, the same could be definitely said for Lady Bird (2017). More importantly, I can't help feel she was the real 'Driver' behind Frances Ha (2012), one of the better modern takes on Claudia Weill's revelatory Girlfriends (1978). Still, whenever I remember that Barbie will be a film about a billion-dollar toy and media franchise with a nettlesome history, I recall I rubbished the "Facebook film" that turned into The Social Network (2010). Anyway, the trailer for Barbie is worth watching, if only because it seems like a parody of itself.
Blitz It's difficult to overstate just how important the aerial bombing of London during World War II is crucial to understanding the British psyche, despite it being a constructed phenomenon from the outset. Without wishing to underplay the deaths of over 40,000 civilian deaths, Angus Calder pointed out in the 1990s that the modern mythology surrounding the event "did not evolve spontaneously; it was a propaganda construct directed as much at [then neutral] American opinion as at British." It will therefore be interesting to see how British Grenadian Trinidadian director Steve McQueen addresses a topic so essential to the British self-conception. (Remember the controversy in right-wing circles about the sole Indian soldier in Christopher Nolan's Dunkirk (2017)?) McQueen is perhaps best known for his 12 Years a Slave (2013), but he recently directed a six-part film anthology for the BBC which addressed the realities of post-Empire immigration to Britain, and this leads me to suspect he sees the Blitz and its surrounding mythology with a more critical perspective. But any attempt to complicate the story of World War II will be vigorously opposed in a way that will make the recent hullabaloo surrounding The Crown seem tame. All this is to say that the discourse surrounding this release may be as interesting as the film itself.
Dune, Part II Coming out of the cinema after the first part of Denis Vileneve's adaptation of Dune (2021), I was struck by the conception that it was less of a fresh adaptation of the 1965 novel by Frank Herbert than an attempt to rehabilitate David Lynch's 1984 version and in a broader sense, it was also an attempt to reestablish the primacy of cinema over streaming TV and the myriad of other distractions in our lives. I must admit I'm not a huge fan of the original novel, finding within it a certain prurience regarding hereditary military regimes and writing about them with a certain sense of glee that belies a secret admiration for them... not to mention an eyebrow-raising allegory for the Middle East. Still, Dune, Part II is going to be a fantastic spectacle.
Ferrari It'll be curious to see how this differs substantially from the recent Ford v Ferrari (2019), but given that Michael Mann's Heat (1995) so effectively re-energised the gangster/heist genre, I'm more than willing to kick the tires of this about the founder of the eponymous car manufacturer. I'm in the minority for preferring Mann's Thief (1981) over Heat, in part because the former deals in more abstract themes, so I'd have perhaps prefered to look forward to a more conceptual film from Mann over a story about one specific guy.
How Do You Live There are a few directors one can look forward to watching almost without qualification, and Hayao Miyazaki (My Neighbor Totoro, Kiki's Delivery Service, Princess Mononoke Howl's Moving Castle, etc.) is one of them. And this is especially so given that The Wind Rises (2013) was meant to be the last collaboration between Miyazaki and Studio Ghibli. Let's hope he is able to come out of retirement in another ten years.
Indiana Jones and the Dial of Destiny Given I had a strong dislike of Indiana Jones and the Kingdom of the Crystal Skull (2008), I seriously doubt I will enjoy anything this film has to show me, but with 1981's Raiders of the Lost Ark remaining one of my most treasured films (read my brief homage), I still feel a strong sense of obligation towards the Indiana Jones name, despite it feeling like the copper is being pulled out of the walls of this franchise today.
Kafka I only know Polish filmmaker Agnieszka Holland through her Spoor (2017), an adaptation of Olga Tokarczuk's 2009 eco-crime novel Drive Your Plow Over the Bones of the Dead. I wasn't an unqualified fan of Spoor (nor the book on which it is based), but I am interested in Holland's take on the life of Czech author Franz Kafka, an author enmeshed with twentieth-century art and philosophy, especially that of central Europe. Holland has mentioned she intends to tell the story "as a kind of collage," and I can hope that it is an adventurous take on the over-furrowed biopic genre. Or perhaps Gregor Samsa will awake from uneasy dreams to find himself transformed in his bed into a huge verminous biopic.
The Killer It'll be interesting to see what path David Fincher is taking today, especially after his puzzling and strangely cold Mank (2020) portraying the writing process behind Orson Welles' Citizen Kane (1941). The Killer is said to be a straight-to-Netflix thriller based on the graphic novel about a hired assassin, which makes me think of Fincher's Zodiac (2007), and, of course, Se7en (1995). I'm not as entranced by Fincher as I used to be, but any film with Michael Fassbender and Tilda Swinton (with a score by Trent Reznor) is always going to get my attention.
Killers of the Flower Moon In Killers of the Flower Moon, Martin Scorsese directs an adaptation of a book about the FBI's investigation into a conspiracy to murder Osage tribe members in the early years of the twentieth century in order to deprive them of their oil-rich land. (The only thing more quintessentially American than apple pie is a conspiracy combined with a genocide.) Separate from learning more about this disquieting chapter of American history, I'd love to discover what attracted Scorsese to this particular story: he's one of the few top-level directors who have the ability to lucidly articulate their intentions and motivations.
Napoleon It often strikes me that, despite all of his achievements and fame, it's somehow still possible to claim that Ridley Scott is relatively underrated compared to other directors working at the top level today. Besides that, though, I'm especially interested in this film, not least of all because I just read Tolstoy's War and Peace (read my recent review) and am working my way through the mind-boggling 431-minute Soviet TV adaptation, but also because several auteur filmmakers (including Stanley Kubrick) have tried to make a Napoleon epic and failed.
Oppenheimer In a way, a biopic about the scientist responsible for the atomic bomb and the Manhattan Project seems almost perfect material for Christopher Nolan. He can certainly rely on stars to queue up to be in his movies (Robert Downey Jr., Matt Damon, Kenneth Branagh, etc.), but whilst I'm certain it will be entertaining on many fronts, I fear it will fall into the well-established Nolan mould of yet another single man struggling with obsession, deception and guilt who is trying in vain to balance order and chaos in the world.
The Way of the Wind Marked by philosophical and spiritual overtones, all of Terrence Malick's films are perfumed with themes of transcendence, nature and the inevitable conflict between instinct and reason. My particular favourite is his stunning Days of Heaven (1978), but The Thin Red Line (1998) and A Hidden Life (2019) also touched me ways difficult to relate, and are one of the few films about the Second World War that don't touch off my sensitivity about them (see my remarks about Blitz above). It is therefore somewhat Malickian that his next film will be a biblical drama about the life of Jesus. Given Malick's filmography, I suspect this will be far more subdued than William Wyler's 1959 Ben-Hur and significantly more equivocal in its conviction compared to Paolo Pasolini's ardently progressive The Gospel According to St. Matthew (1964). However, little beyond that can be guessed, and the film may not even appear until 2024 or even 2025.
Zone of Interest I was mesmerised by Jonathan Glazer's Under the Skin (2013), and there is much to admire in his borderline 'revisionist gangster' film Sexy Beast (2000), so I will definitely be on the lookout for this one. The only thing making me hesitate is that Zone of Interest is based on a book by Martin Amis about a romance set inside the Auschwitz concentration camp. I haven't read the book, but Amis has something of a history in his grappling with the history of the twentieth century, and he seems to do it in a way that never sits right with me. But if Paul Verhoeven's Starship Troopers (1997) proves anything at all, it's all in the adaption.
firebuild
:
firebuild <build command>
ccache
and other compiler-specific caches work, but firebuild
can shortcut any deterministic command, not only a specific list of compilers. Since the inputs of each command is determined at run time firebuild
does not need a maintained complete dependency graph in the source like Bazel. It can work with any build system that does not implement its own caching mechanism.
Determinism of commands is detected at run-time by preloading libfirebuild.so
and interposing standard library calls and syscalls. If the command and all its descendants inputs are available when the command starts and all outputs can be calculated from the inputs then the command can be shortcut, otherwise it will be executed again. The interception comes with a 5-10% overhead, but rebuilds can be 5-20 times, or even faster depending on the changes between the builds.
Can I try it?
It is already available in Debian Unstable and Testing, Ubuntu s development release and the latest stable version is back-ported to supported Ubuntu releases via a PPA.
How can I analyze my builds with firebuild?
Firebuild can generate an HTML report showing each command s contribution to the build time. Below are the before and after reports of json4s
, a Scala project. The command call graphs (lower ones) show that java
(scalac
) took 99% of the original build. Since the scalac
invocations are shortcut (cutting the second build s time to less than 2% of the first one) they don t even show up in the accelerated second build s call graph. What s left to be executed again in the second run are env
, perl
, make
and a few simple commands.
The upper graphs are the process trees, with expandable nodes (in blue) also showing which command invocations were shortcut (green). Clicking on a node shows details of the command and the reason if it was not shortcut.
Could I accelerate my project more?
Firebuild works best for builds with CPU-intensive processes and comes with defaults to not cache very quick commands, such as sh
, grep
, sed
, etc., because caching those would take cache space and shortcutting them may not speed up the build that much. They can still be shortcut with their parent command. Firebuild s strength is that it can find shortcutting points in the process tree automatically, e.g. from sh -c 'bash -c "sh -c echo Hello World!"'
bash
would be shortcut, but none of the sh
commands would be cached. In typical builds there are many such commands from the skip_cache
list. Caching those commands with firebuild -o 'processes.skip_cache = []'
can improve acceleration and make the reports smaller.
Firebuild also supports several debug flags and -d proc
helps finding reasons for not shortcutting some commands:
...
FIREBUILD: Command "/usr/bin/make" can't be short-cut due to: Executable set to be not shortcut, ExecedProcess 1329.2, running, "make -f debian/rules build", fds=[ FileFD fd=0 FileOFD ...
FIREBUILD: Command "/usr/bin/sort" can't be short-cut due to: Process read from inherited fd , ExecedProcess 4161.1, running, "sort", fds=[ FileFD fd=0 FileOFD ...
FIREBUILD: Command "/usr/bin/find" can't be short-cut due to: fstatfs() family operating on fds is not supported, ExecedProcess 1360.1, running, "find -mindepth 1 ...
...
make
, ninja
and other incremental build tool binaries are not shortcut because they compare the timestamp of files, but they are fast at least and every build step they perform can still be shortcut. Ideally the slower build steps that could not be shortcut can be re-implemented in ways that can be shortcut by avoiding tools performing unsupported operations.
I hope those tools help speeding up your build with very little effort, but if not and you find something to fix or improve in firebuild
itself, please report it or just leave a feedback!
Happy speeding, but not on public roads! .apk
files shipped by a number of free-software instant messenger applications.
These scripts are often necessary in the Android/APK ecosystem due to these files containing embedded signatures so the conventional bit-for-bit comparison cannot be used. After detailing a litany of issues with these tools, they come to the conclusion that:
It s quite possible these messengers actually have reproducible builds, but the verification scripts they use don t actually allow us to verify whether they do.This reflects the consensus view within the Reproducible Builds project: pursuing a situation in language or package ecosystems where binaries are bit-for-bit identical (over requiring a bespoke ecosystem-specific tool) is not a luxury demanded by purist engineers, but rather the only practical way to demonstrate reproducibility. obfusk also announced the first release of their own set of tools on our mailing list. Related to this, obfusk also posted to an issue filed against Mastodon regarding the difficulties of creating bit-by-bit identical APKs, especially with respect to copying v2/v3 APK signatures created by different tools; they also reported that some APK ordering differences were not caused by building on macOS after all, but by using Android Studio [ ] and that F-Droid added 16 more apps published with Reproducible Builds in December.
aespipe
(#661079, #1020809), cdbackup
(#1011428) & xmlrpc-epi
(#865688, #1020651)
apr-util
(#1006865), lirc
(#979024) & ruby-omniauth-tumblr
amavisd-milter
(#975954), apophenia
(#940013), cfi
(#995647), chessx
(#881664), cmocka
(#991181), desmume
(#890312), golang-gonum-v1-plot
(#968045), intel-gpu-tools
(#945105), jhbuild
(#971420), libjama
(#986601), libjs-qunit
(#976445), liblip
(#1001513, #989583), libstatgrab
(#961747), mlpost
(#977179 and #977180), netcdf-parallel
(#972930), netgen-lvs
(#955783), perfect-scrollbar
(#1000770), python-tomli
(#994979), pytsk
(#992060), smplayer
(#997689), squeak-plugins-scratch
(#876771, #942006), stgit
(#942009), strace
(#896016), surgescript
(#992061), sympow
(#973601), wxmaxima
(#983148), xavs2
(#952493), xaw3d
(#991180, #986704) and yard
(#972668).
OpenRGB
(filesystem ordering issue)python-maturin
(report an issue regarding random numbers)rav1e
(datetime-related issue)weblate
(report that the build fails in 2038)osuosl167
machine is no longer a openqa-worker
node anymore. [ ][ ]foot-terminfo
package on Debian systems. [ ]--timeout
flag. [ ][ ]
228
, 229
and 230
to Debian:
file(1)
version 5.43, with thanks to Christoph Biedl. [ ]test_html.py::test_diff
test if html2text
is not installed. (#1026034)Standards-Version
on all of our packages, including diffoscope [ ], strip-nondeterminism [ ], disorderfs [ ] and reprotest [ ].
#reproducible-builds
on irc.oftc.net
.
rb-general@lists.reproducible-builds.org
strace
for, but it seemed like a great opportunity to try out bpftrace
.
It turns out bpftrace ships with an example, opensnoop.bt which provided details of hooking the open syscall entry + exit and providing details of all files opened on the system. I only wanted to track opens by the retroarch
binary that failed, so I made a couple of modifications:
#!/usr/bin/env bpftrace
/*
* retro-failed-open-snoop - snoop failed opens by RetroArch
*
* Based on:
* opensnoop Trace open() syscalls.
* For Linux, uses bpftrace and eBPF.
*
* Copyright 2018 Netflix, Inc.
* Licensed under the Apache License, Version 2.0 (the "License")
*
* 08-Sep-2018 Brendan Gregg Created this.
*/
BEGIN
printf("Tracing open syscalls... Hit Ctrl-C to end.\n");
printf("%-6s %-16s %3s %s\n", "PID", "COMM", "ERR", "PATH");
tracepoint:syscalls:sys_enter_open,
tracepoint:syscalls:sys_enter_openat
@filename[tid] = args->filename;
tracepoint:syscalls:sys_exit_open,
tracepoint:syscalls:sys_exit_openat
/@filename[tid]/
$ret = args->ret;
$errno = $ret > 0 ? 0 : - $ret;
if (($ret <= 0) && (strncmp("retroarch", comm, 9) == 0) )
printf("%-6d %-16s %3d %s\n", pid, comm, $errno,
str(@filename[tid]));
delete(@filename[tid]);
END
clear(@filename);
apt install bpftrace
) and then I ran bpftrace -o retro.log retro-failed-open-snoop.bt
as root and fired up retroarch
as a normal user.
Attaching 6 probes...
Tracing open syscalls... Hit Ctrl-C to end.
PID COMM ERR PATH
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/glibc-hwcaps/x86-64-v2/lib
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/tls/x86_64/x86_64/libpulse
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/tls/x86_64/libpulsecommon-
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/tls/x86_64/libpulsecommon-
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/tls/libpulsecommon-16.1.so
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/x86_64/x86_64/libpulsecomm
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/x86_64/libpulsecommon-16.1
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/pulseaudio/x86_64/libpulsecommon-16.1
3394 retroarch 2 /etc/gcrypt/hwf.deny
3394 retroarch 2 /lib/x86_64-linux-gnu/glibc-hwcaps/x86-64-v2/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/tls/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/tls/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/glibc-hwcaps/x86-64-v2/libgamemode.so
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/tls/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/tls/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/libgamemode.so.0
3394 retroarch 2 /lib/glibc-hwcaps/x86-64-v2/libgamemode.so.0
3394 retroarch 2 /lib/tls/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/tls/libgamemode.so.0
3394 retroarch 2 /lib/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/x86_64/libgamemode.so.0
3394 retroarch 2 /lib/libgamemode.so.0
3394 retroarch 2 /usr/lib/glibc-hwcaps/x86-64-v2/libgamemode.so.0
3394 retroarch 2 /usr/lib/tls/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/tls/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/tls/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/x86_64/libgamemode.so.0
3394 retroarch 2 /usr/lib/libgamemode.so.0
3394 retroarch 2 /lib/x86_64-linux-gnu/libgamemode.so
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/libgamemode.so
3394 retroarch 2 /lib/libgamemode.so
3394 retroarch 2 /usr/lib/libgamemode.so
3394 retroarch 2 /lib/x86_64-linux-gnu/libdecor-0.so
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/libdecor-0.so
3394 retroarch 2 /lib/libdecor-0.so
3394 retroarch 2 /usr/lib/libdecor-0.so
3394 retroarch 2 /etc/drirc
3394 retroarch 2 /home/noodles/.drirc
3394 retroarch 2 /etc/drirc
3394 retroarch 2 /home/noodles/.drirc
3394 retroarch 2 /usr/lib/x86_64-linux-gnu/dri/tls/iris_dri.so
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/glibc-hwcaps/x86-64-v2/libedit.so.
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/tls/x86_64/x86_64/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/tls/x86_64/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/tls/x86_64/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/tls/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/x86_64/x86_64/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/x86_64/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/x86_64/libedit.so.2
3394 retroarch 2 /lib/x86_64-linux-gnu/../lib/libedit.so.2
3394 retroarch 2 /etc/drirc
3394 retroarch 2 /home/noodles/.drirc
3394 retroarch 2 /etc/drirc
3394 retroarch 2 /home/noodles/.drirc
3394 retroarch 2 /etc/drirc
3394 retroarch 2 /home/noodles/.drirc
3394 retroarch 2 /home/noodles/.Xdefaults-udon
3394 retroarch 2 /home/noodles/.icons/default/cursors/00000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/default/index.theme
3394 retroarch 2 /usr/share/icons/default/cursors/000000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/default/cursors/0000000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/Adwaita/cursors/00000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/Adwaita/index.theme
3394 retroarch 2 /usr/share/icons/Adwaita/cursors/000000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/Adwaita/cursors/0000000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/hicolor/cursors/00000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/hicolor/index.theme
3394 retroarch 2 /usr/share/icons/hicolor/cursors/000000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/hicolor/cursors/0000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/hicolor/index.theme
3394 retroarch 2 /home/noodles/.XCompose
3394 retroarch 2 /home/noodles/.icons/default/cursors/00000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/default/index.theme
3394 retroarch 2 /usr/share/icons/default/cursors/000000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/default/cursors/0000000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/Adwaita/cursors/00000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/Adwaita/index.theme
3394 retroarch 2 /usr/share/icons/Adwaita/cursors/000000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/Adwaita/cursors/0000000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/hicolor/cursors/00000000000000000000000000
3394 retroarch 2 /home/noodles/.icons/hicolor/index.theme
3394 retroarch 2 /usr/share/icons/hicolor/cursors/000000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/hicolor/cursors/0000000000000000000000000000
3394 retroarch 2 /usr/share/pixmaps/hicolor/index.theme
3394 retroarch 2 /usr/share/libretro/assets/xmb/monochrome/png/disc.png
3394 retroarch 2 /usr/share/libretro/assets/xmb/monochrome/sounds
3394 retroarch 2 /usr/share/libretro/assets/sounds
3394 retroarch 2 /sys/class/power_supply/ACAD
3394 retroarch 2 /sys/class/power_supply/ACAD
3394 retroarch 2 /usr/share/libretro/assets/xmb/monochrome/png/disc.png
3394 retroarch 2 /usr/share/libretro/assets/ozone/sounds
3394 retroarch 2 /usr/share/libretro/assets/sounds
disc.png
from XMB Monochrome (which fails to have SVG source). I also discovered the runtime optional loading of GameMode. This is available in Debian so it was a simple matter to add libgamemode0
to the binary package Recommends
.
So, a very basic example of using bpftrace, but a remarkably useful intro to it from my point of view!
The Great War and Modern Memory (1975)
Wartime: Understanding and Behavior in the Second World War (1989)
Paul Fussell
Rather than describe the battles, weapons, geopolitics or big personalities of the two World Wars, Paul Fussell's The Great War and Modern Memory & Wartime are focused instead on how the two wars have been remembered by their everyday participants. Drawing on the memoirs and memories of soldiers and civilians along with a brief comparison with the actual events that shaped them, Fussell's two books are a compassionate, insightful and moving piece of analysis.
Fussell primarily sets himself against the admixture of nostalgia and trauma that obscures the origins and unimaginable experience of participating in these wars; two wars that were, in his view, a "perceptual and rhetorical scandal from which total recovery is unlikely." He takes particular aim at the dishonesty of hindsight:
For the past fifty years, the Allied war has been sanitised and romanticised almost beyond recognition by the sentimental, the loony patriotic, the ignorant and the bloodthirsty. I have tried to balance the scales. [And] in unbombed America especially, the meaning of the war [seems] inaccessible.The author does not engage in any of the customary rose-tinted view of war, yet he remains understanding and compassionate towards those who try to locate a reason within what was quite often senseless barbarism. If anything, his despondency and pessimism about the Second World War (the war that Fussell himself fought in) shines through quite acutely, and this is especially the case in what he chooses to quote from others:
"It was common [ ] throughout the [Okinawa] campaign for replacements to get hit before we even knew their names. They came up confused, frightened, and hopeful, got wounded or killed, and went right back to the rear on the route by which they had come, shocked, bleeding, or stiff. They were forlorn figures coming up to the meat grinder and going right back out of it like homeless waifs, unknown and faceless to us, like unread books on a shelf."It would take a rather heartless reader to fail to be sobered by this final simile, and an even colder one to view Fussell's citation of such an emotive anecdote to be manipulative. Still, stories and cruel ironies like this one infuse this often-angry book, but it is not without astute and shrewd analysis as well, especially on the many qualitative differences between the two conflicts that simply cannot be captured by facts and figures alone. For example:
A measure of the psychological distance of the Second [World] War from the First is the rarity, in 1914 1918, of drinking and drunkenness poems.Indeed so. In fact, what makes Fussell's project so compelling and perhaps even unique is that he uses these non-quantitive measures to try and take stock of what happened. After all, this was a war conducted by humans, not the abstract school of statistics. And what is the value of a list of armaments destroyed by such-and-such a regiment when compared with truly consequential insights into both how the war affected, say, the psychology of postwar literature ("Prolonged trench warfare, whether enacted or remembered, fosters paranoid melodrama, which I take to be a primary mode in modern writing."), the specific words adopted by combatants ("It is a truism of military propaganda that monosyllabic enemies are easier to despise than others") as well as the very grammar of interaction:
The Field Service Post Card [in WW1] has the honour of being the first widespread exemplary of that kind of document which uniquely characterises the modern world: the "Form". [And] as the first widely known example of dehumanised, automated communication, the post card popularised a mode of rhetoric indispensable to the conduct of later wars fought by great faceless conscripted armies.And this wouldn't be a book review without argument-ending observations that:
Indicative of the German wartime conception [of victory] would be Hitler and Speer's elaborate plans for the ultimate reconstruction of Berlin, which made no provision for a library.Our myths about the two world wars possess an undisputed power, in part because they contain an essential truth the atrocities committed by Germany and its allies were not merely extreme or revolting, but their full dimensions (embodied in the Holocaust and the Holodomor) remain essentially inaccessible within our current ideological framework. Yet the two wars are better understood as an abyss in which we were all dragged into the depths of moral depravity, rather than a battle pitched by the forces of light against the forces of darkness. Fussell is one of the few observers that can truly accept and understand this truth and is still able to speak to us cogently on the topic from the vantage point of experience. The Second World War which looms so large in our contemporary understanding of the modern world (see below) may have been necessary and unavoidable, but Fussell convinces his reader that it was morally complicated "beyond the power of any literary or philosophic analysis to suggest," and that the only way to maintain a na ve belief in the myth that these wars were a Manichaean fight between good and evil is to overlook reality. There are many texts on the two World Wars that can either stir the intellect or move the emotions, but Fussell's two books do both. A uniquely perceptive and intelligent commentary; outstanding.
Longitude (1995) Dava Sobel Since Man first decided to sail the oceans, knowing one's location has always been critical. Yet doing so reliably used to be a serious problem if you didn't know where you were, you are far more likely to die and/or lose your valuable cargo. But whilst finding one's latitude (ie. your north south position) had effectively been solved by the beginning of the 17th century, finding one's (east west) longitude was far from trustworthy in comparison. This book first published in 1995 is therefore something of an anachronism. As in, we readily use the GPS facilities of our phones today without hesitation, so we find it difficult to imagine a reality in which knowing something fundamental like your own location is essentially unthinkable. It became clear in the 18th century, though, that in order to accurately determine one's longitude, what you actually needed was an accurate clock. In Longitude, therefore, we read of the remarkable story of John Harrison and his quest to create a timepiece that would not only keep time during a long sea voyage but would survive the rough ocean conditions as well. Self-educated and a carpenter by trade, Harrison made a number of important breakthroughs in keeping accurate time at sea, and Longitude describes his novel breakthroughs in a way that is both engaging and without talking down to the reader. Still, this book covers much more than that, including the development of accurate longitude going hand-in-hand with advancements in cartography as well as in scientific experiments to determine the speed of light: experiments that led to the formulation of quantum mechanics. It also outlines the work being done by Harrison's competitors. 'Competitors' is indeed the correct word here, as Parliament offered a huge prize to whoever could create such a device, and the ramifications of this tremendous financial incentive are an essential part of this story. For the most part, though, Longitude sticks to the story of Harrison and his evolving obsession with his creating the perfect timepiece. Indeed, one reason that Longitude is so resonant with readers is that many of the tropes of the archetypical 'English inventor' are embedded within Harrison himself. That is to say, here is a self-made man pushing against the establishment of the time, with his groundbreaking ideas being underappreciated in his life, or dishonestly purloined by his intellectual inferiors. At the level of allegory, then, I am minded to interpret this portrait of Harrison as a symbolic distillation of postwar Britain a nation acutely embarrassed by the loss of the Empire that is now repositioning itself as a resourceful but plucky underdog; a country that, with a combination of the brains of boffins and a healthy dose of charisma and PR, can still keep up with the big boys. (It is this same search for postimperial meaning I find in the fiction of John le Carr , and, far more famously, in the James Bond franchise.) All of this is left to the reader, of course, as what makes Longitute singularly compelling is its gentle manner and tone. Indeed, at times it was as if the doyenne of sci-fi Ursula K. LeGuin had a sideline in popular non-fiction. I realise it's a mark of critical distinction to downgrade the importance of popular science in favour of erudite academic texts, but Latitude is ample evidence that so-called 'pop' science need not be patronising or reductive at all.
Closed Chambers: The Rise, Fall, and Future of the Modern Supreme Court (1998) Edward Lazarus After the landmark decision by the U.S. Supreme Court in *Dobbs v. Jackson Women's Health Organization that ended the Constitutional right to abortion conferred by Roe v Wade, I prioritised a few books in the queue about the judicial branch of the United States. One of these books was Closed Chambers, which attempts to assay, according to its subtitle, "The Rise, Fall and Future of the Modern Supreme Court". This book is not merely simply a learned guide to the history and functioning of the Court (although it is completely creditable in this respect); it's actually an 'insider' view of the workings of the institution as Lazurus was a clerk for Justice Harry Blackmun during the October term of 1988. Lazarus has therefore combined his experience as a clerk and his personal reflections (along with a substantial body of subsequent research) in order to communicate the collapse in comity between the Justices. Part of this book is therefore a pure history of the Court, detailing its important nineteenth-century judgements (such as Dred Scott which ruled that the Constitution did not consider Blacks to be citizens; and Plessy v. Ferguson which failed to find protection in the Constitution against racial segregation laws), as well as many twentieth-century cases that touch on the rather technical principle of substantive due process. Other layers of Lazurus' book are explicitly opinionated, however, and they capture the author's assessment of the Court's actions in the past and present [1998] day. Given the role in which he served at the Court, particular attention is given by Lazarus to the function of its clerks. These are revealed as being far more than the mere amanuenses they were hitherto believed to be. Indeed, the book is potentially unique in its the claim that the clerks have played a pivotal role in the deliberations, machinations and eventual rulings of the Court. By implication, then, the clerks have plaedy a crucial role in the internal controversies that surround many of the high-profile Supreme Court decisions decisions that, to the outsider at least, are presented as disinterested interpretations of Constitution of the United States. This is of especial importance given that, to Lazarus, "for all the attention we now pay to it, the Court remains shrouded in confusion and misunderstanding." Throughout his book, Lazarus complicates the commonplace view that the Court is divided into two simple right vs. left political factions, and instead documents an ever-evolving series of loosely held but strongly felt series of cabals, quid pro quo exchanges, outright equivocation and pure personal prejudices. (The age and concomitant illnesses of the Justices also appears to have a not insignificant effect on the Court's rulings as well.) In other words, Closed Chambers is not a book that will be read in a typical civics class in America, and the only time the book resorts to the customary breathless rhetoric about the US federal government is in its opening chapter:
The Court itself, a Greek-style temple commanding the crest of Capitol Hill, loomed above them in the dim light of the storm. Set atop a broad marble plaza and thirty-six steps, the Court stands in splendid isolation appropriate to its place at the pinnacle of the national judiciary, one of the three independent and "coequal" branches of American government. Once dubbed the Ivory Tower by architecture critics, the Court has a Corinthian colonnade and massive twenty-foot-high bronze doors that guard the single most powerful judicial institution in the Western world. Lights still shone in several offices to the right of the Court's entrance, and [ ]Et cetera, et cetera. But, of course, this encomium to the inherent 'nobility' of the Supreme Court is quickly revealed to be a narrative foil, as Lazarus soon razes this dangerously na ve conception to the ground:
[The] institution is [now] broken into unyielding factions that have largely given up on a meaningful exchange of their respective views or, for that matter, a meaningful explication or defense of their own views. It is of Justices who in many important cases resort to transparently deceitful and hypocritical arguments and factual distortions as they discard judicial philosophy and consistent interpretation in favor of bottom-line results. This is a Court so badly splintered, yet so intent on lawmaking, that shifting 5-4 majorities, or even mere pluralities, rewrite whole swaths of constitutional law on the authority of a single, often idiosyncratic vote. It is also a Court where Justices yield great and excessive power to immature, ideologically driven clerks, who in turn use that power to manipulate their bosses and the institution they ostensibly serve.Lazurus does not put forward a single, overarching thesis, but in the final chapters, he does suggest a potential future for the Court:
In the short run, the cure for what ails the Court lies solely with the Justices. It is their duty, under the shield of life tenure, to recognize the pathologies affecting their work and to restore the vitality of American constitutionalism. Ultimately, though, the long-term health of the Court depends on our own resolve on whom [we] select to join that institution.Back in 1998, Lazurus might have had room for this qualified optimism. But from the vantage point of 2022, it appears that the "resolve" of the United States citizenry was not muscular enough to meet his challenge. After all, Lazurus was writing before Bush v. Gore in 2000, which arrogated to the judicial branch the ability to decide a presidential election; the disillusionment of Barack Obama's failure to nominate a replacement for Scalia; and many other missteps in the Court as well. All of which have now been compounded by the Trump administration's appointment of three Republican-friendly justices to the Court, including hypocritically appointing Justice Barrett a mere 38 days before the 2020 election. And, of course, the leaking and ruling in Dobbs v. Jackson, the true extent of which has not been yet. Not of a bit of this is Lazarus' fault, of course, but the Court's recent decisions (as well as the liberal hagiographies of 'RBG') most perforce affect one's reading of the concluding chapters. The other slight defect of Closed Chambers is that, whilst it often implies the importance of the federal and state courts within the judiciary, it only briefly positions the Supreme Court's decisions in relation to what was happening in the House, Senate and White House at the time. This seems to be increasingly relevant as time goes on: after all, it seems fairly clear even to this Brit that relying on an activist Supreme Court to enact progressive laws must be interpreted as a failure of the legislative branch to overcome the perennial problems of the filibuster, culture wars and partisan bickering. Nevertheless, Lazarus' book is in equal parts ambitious, opinionated, scholarly and dare I admit it? wonderfully gossipy. By juxtaposing history, memoir, and analysis, Closed Chambers combines an exacting evaluation of the Court's decisions with a lively portrait of the intellectual and emotional intensity that has grown within the Supreme Court's pseudo-monastic environment all while it struggles with the most impactful legal issues of the day. This book is an excellent and well-written achievement that will likely never be repeated, and a must-read for anyone interested in this ever-increasingly important branch of the US government.
Crashed: How a Decade of Financial Crises Changed the World (2018)
Shutdown: How Covid Shook the World's Economy (2021)
Adam Tooze
The economic historian Adam Tooze has often been labelled as an unlikely celebrity, but in the fourteen years since the global financial crisis of 2008, a growing audience has been looking for answers about the various failures of the modern economy. Tooze, a professor of history at New York's Columbia University, has written much that is penetrative and thought-provoking on this topic, and as a result, he has generated something of a cult following amongst economists, historians and the online left.
I actually read two Tooze books this year. The first, Crashed (2018), catalogues the scale of government intervention required to prop up global finance after the 2008 financial crisis, and it characterises the different ways that countries around the world failed to live up to the situation, such as doing far too little, or taking action far too late. The connections between the high-risk subprime loans, credit default swaps and the resulting liquidity crisis in the US in late 2008 is fairly well known today in part thanks to films such as Adam McKay's 2015 The Big Short and much improved economic literacy in media reportage. But Crashed makes the implicit claim that, whilst the specific and structural origins of the 2008 crisis are worth scrutinising in exacting detail, it is the reaction of states in the months and years after the crash that has been overlooked as a result.
After all, this is a reaction that has not only shaped a new economic order, it has created one that does not fit any conventional idea about the way the world 'ought' to be run. Tooze connects the original American banking crisis to the (multiple) European debt crises with a larger crisis of liberalism. Indeed, Tooze somehow manages to cover all these topics and more, weaving in Trump, Brexit and Russia's 2014 annexation of Crimea, as well as the evolving role of China in the post-2008 economic order.
Where Crashed focused on the constellation of consequences that followed the events of 2008, Shutdown is a clear and comprehensive account of the way the world responded to the economic impact of Covid-19. The figures are often jaw-dropping: soon after the disease spread around the world, 95% of the world's economies contracted simultaneously, and at one point, the global economy shrunk by approximately 20%. Tooze's keen and sobering analysis of what happened is made all the more remarkable by the fact that it came out whilst the pandemic was still unfolding. In fact, this leads quickly to one of the book's few flaws: by being published so quickly, Shutdown prematurely over-praises China's 'zero Covid' policy, and these remarks will make a reader today squirm in their chair. Still, despite the regularity of these references (after all, mentioning China is very useful when one is directly comparing economic figures in early 2021, for examples), these are actually minor blemishes on the book's overall thesis.
That is to say, Crashed is not merely a retelling of what happened in such-and-such a country during the pandemic; it offers in effect a prediction about what might be coming next. Whilst the economic responses to Covid averted what could easily have been another Great Depression (and thus showed it had learned some lessons from 2008), it had only done so by truly discarding the economic rule book. The by-product of inverting this set of written and unwritten conventions that have governed the world for the past 50 years, this 'Washington consensus' if you well, has yet to be fully felt.
Of course, there are many parallels between these two books by Tooze. Both the liquidity crisis outlined in Crashed and the economic response to Covid in Shutdown exposed the fact that one of the central tenets of the modern economy ie. that financial markets can be trusted to regulate themselves was entirely untrue, and likely was false from the very beginning. And whilst Adam Tooze does not offer a singular piercing insight (conveying a sense of rigorous mastery instead), he may as well be asking whether we're simply going to lurch along from one crisis to the next, relying on the technocrats in power to fix problems when everything blows up again. The answer may very well be yes.
Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness (2021) Elizabeth D. Samet Elizabeth D. Samet's Looking for the Good War answers the following question what would be the result if you asked a professor of English to disentangle the complex mythology we have about WW2 in the context of the recent US exit of Afghanistan? Samet's book acts as a twenty-first-century update of a kind to Paul Fussell's two books (reviewed above), as well as a deeper meditation on the idea that each new war is seen through the lens of the previous one. Indeed, like The Great War and Modern Memory (1975) and Wartime (1989), Samet's book is a perceptive work of demystification, but whilst Fussell seems to have been inspired by his own traumatic war experience, Samet is not only informed by her teaching West Point military cadets but by the physical and ontological wars that have occurred during her own life as well. A more scholarly and dispassionate text is the result of Samet's relative distance from armed combat, but it doesn't mean Looking for the Good War lacks energy or inspiration. Samet shares John Adams' belief that no political project can entirely shed the innate corruptions of power and ambition and so it is crucial to analyse and re-analyse the role of WW2 in contemporary American life. She is surely correct that the Second World War has been universally elevated as a special, 'good' war. Even those with exceptionally giddy minds seem to treat WW2 as hallowed:
It is nevertheless telling that one of the few occasions to which Trump responded with any kind of restraint while he was in office was the 75th anniversary of D-Day in 2019.What is the source of this restraint, and what has nurtured its growth in the eight decades since WW2 began? Samet posits several reasons for this, including the fact that almost all of the media about the Second World War is not only suffused with symbolism and nostalgia but, less obviously, it has been made by people who have no experience of the events that they depict. Take Stephen Ambrose, author of Steven Spielberg's Band of Brothers miniseries: "I was 10 years old when the war ended," Samet quotes of Ambrose. "I thought the returning veterans were giants who had saved the world from barbarism. I still think so. I remain a hero worshiper." If Looking for the Good War has a primary thesis, then, it is that childhood hero worship is no basis for a system of government, let alone a crusading foreign policy. There is a straight line (to quote this book's subtitle) from the "American Amnesia" that obscures the reality of war to the "Violent Pursuit of Happiness." Samet's book doesn't merely just provide a modern appendix to Fussell's two works, however, as it adds further layers and dimensions he overlooked. For example, Samet provides some excellent insight on the role of Western, gangster and superhero movies, and she is especially good when looking at noir films as a kind of kaleidoscopic response to the Second World War:
Noir is a world ruled by bad decisions but also by bad timing. Chance, which plays such a pivotal role in war, bleeds into this world, too.Samet rightfully weaves the role of women into the narrative as well. Women in film noir are often celebrated as 'independent' and sassy, correctly reflecting their newly-found independence gained during WW2. But these 'liberated' roles are not exactly a ringing endorsement of this independence: the 'femme fatale' and the 'tart', etc., reflect a kind of conditional freedom permitted to women by a post-War culture which is still wedded to an outmoded honour culture. In effect, far from being novel and subversive, these roles for women actually underwrote the ambient cultural disapproval of women's presence in the workforce. Samet later connects this highly-conditional independence with the liberation of Afghan women, which:
is inarguably one of the more palatable outcomes of our invasion, and the protection of women's rights has been invoked on the right and the left as an argument for staying the course in Afghanistan. How easily consequence is becoming justification. How flattering it will be one day to reimagine it as original objective.Samet has ensured her book has a predominantly US angle as well, for she ends her book with a chapter on the pseudohistorical Lost Cause of the Civil War. The legacy of the Civil War is still visible in the physical phenomena of Confederate statues, but it also exists in deep-rooted racial injustice that has been shrouded in euphemism and other psychological devices for over 150 years. Samet believes that a key part of what drives the American mythology about the Second World War is the way in which it subconsciously cleanses the horrors of brother-on-brother murder that were seen in the Civil War. This is a book that is not only of interest to historians of the Second World War; it is a work for anyone who wishes to understand almost any American historical event, social issue, politician or movie that has appeared since the end of WW2. That is for better or worse everyone on earth.
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[ Chris Lamb ]
* Fix compatibility with file(1) version 5.43; thanks, Christoph Biedl.
[ Jelle van der Waa ]
* Support Berkeley DB version 6.
Afropean: Notes from Black Europe (2019) Johny Pitts Johny Pitts is a photographer and writer who lives in the north of England who set out to explore "black Europe from the street up" those districts within European cities that, although they were once 'white spaces' in the past, they are now occupied by Black people. Unhappy with the framing of the Black experience back home in post-industrial Sheffield, Pitts decided to become a nomad and goes abroad to seek out the sense of belonging he cannot find in post-Brexit Britain, and Afropean details his journey through Paris, Brussels, Lisbon, Berlin, Stockholm and Moscow. However, Pitts isn't just avoiding the polarisation and structural racism embedded in contemporary British life. Rather, he is seeking a kind of super-national community that transcends the reductive and limiting nationalisms of all European countries, most of which have based their national story on a self-serving mix of nostalgia and postcolonial fairy tales. Indeed, the term 'Afropean' is the key to understanding the goal of this captivating memoir. Pitts writes at the beginning of this book that the word wasn't driven only as a response to the crude nativisms of Nigel Farage and Marine Le Pen, but that it:
encouraged me to think of myself as whole and unhyphenated. [ ] Here was a space where blackness was taking part in shaping European identity at large. It suggested the possibility of living in and with more than one idea: Africa and Europe, or, by extension, the Global South and the West, without being mixed-this, half-that or black-other. That being black in Europe didn t necessarily mean being an immigrant.In search of this whole new theory of home, Pitts travels to the infamous banlieue of Clichy-sous-Bois just to the East of Paris, thence to Matong in Brussels, as well as a quick and abortive trip into Moscow and other parallel communities throughout the continent. In these disparate environs, Pitts strikes up countless conversations with regular folk in order to hear their quotidian stories of living, and ultimately to move away from the idea that Black history is defined exclusively by slavery. Indeed, to Pitts, the idea of race is one that ultimately restricts one's humanity; the concept "is often forced to embody and speak for certain ideas, despite the fact it can't ever hold in both hands the full spectrum of a human life and the cultural nuances it creates." It's difficult to do justice to the effectiveness of the conversations Pitts has throughout his travels, but his shrewd attention to demeanour, language, raiment and expression vividly brings alive the people he talks to. Of related interest to fellow Brits as well are the many astute observations and comparisons with Black and working-class British life. The tone shifts quite often throughout this book. There might be an amusing aside one minute, such as the portrait of an African American tourist in Paris to whom "the whole city was a film set, with even its homeless people appearing to him as something oddly picturesque." But the register abruptly changes when he visits Clichy-sous-Bois on an anniversary of important to the area, and an element of genuine danger is introduced when Johny briefly visits Moscow and barely gets out alive. What's especially remarkable about this book is there is a freshness to Pitt s treatment of many well-worn subjects. This can be seen in his account of Belgium under the reign of Leopold II, the history of Portuguese colonialism (actually mostly unknown to me), as well in the way Pitts' own attitude to contemporary anti-fascist movements changes throughout an Antifa march. This chapter was an especial delight, and not only because it underlined just how much of Johny's trip was an inner journey of an author willing have his mind changed. Although Johny travels alone throughout his journey, in the second half of the book, Pitts becomes increasingly accompanied by a number of Black intellectuals by the selective citing of Frantz Fanon and James Baldwin and Caryl Phillips. (Nevertheless, Jonny has also brought his camera for the journey as well, adding a personal touch to this already highly-intimate book.) I suspect that his increasing exercise of Black intellectual writing in the latter half of the book may be because Pitts' hopes about 'Afropean' existence ever becoming a reality are continually dashed and undercut. The unity among potential Afropeans appears more-and-more unrealisable as the narrative unfolds, the various reasons of which Johny explores both prosaically and poetically. Indeed, by the end of the book, it's unclear whether Johny has managed to find what he left the shores of England to find. But his mix of history, sociology and observation of other cultures right on my doorstep was something of a revelation to me.
Orwell's Roses (2021)
Rebecca Solnit
Orwell s Roses is an alternative journey through the life and afterlife of George Orwell, reimaging his life primarily through the lens of his attentiveness to nature. Yet this framing of the book as an 'alternative' history is only revisionist if we compare it to the usual view of Orwell as a bastion of 'free speech' and English 'common sense' the roses of the title of this book were very much planted by Orwell in his Hertfordshire garden in 1936, and his yearning of nature one was one of the many constants throughout his life. Indeed, Orwell wrote about wildlife and outdoor life whenever he could get away with it, taking pleasure in a blackbird's song and waxing nostalgically about the English countryside in his 1939 novel Coming Up for Air (reviewed yesterday).
The Disaster Artist (2013)
Greg Sestero & Tom Bissell
For those not already in the know, The Room was a 2003 film by director-producer-writer-actor Tommy Wiseau, an inscrutable Polish immigr with an impenetrable background, an idiosyncratic choice of wardrobe and a mysterious large source of income. The film, which centres on a melodramatic love triangle, has since been described by several commentators and publications as one of the worst films ever made.
Tommy's production completely bombed at the so-called 'box office' (the release was actually funded entirely by Wiseau personally), but the film slowly became a favourite at cult cinema screenings. Given Tommy's prominent and central role in the film, there was always an inherent cruelty involved in indulging in the spectacle of The Room the audience was laughing because the film was astonishingly bad, of course, but Wiseau infused his film with sincere earnestness that in a heartless twist of irony may be precisely why it is so terrible to begin with. Indeed, it should be stressed that The Room is not simply a 'bad' film, and therefore not worth paying any attention to: it is uncannily bad in a way that makes it eerily compelling to watch. It unintentionally subverts all the rules of filmmaking in a way that captivates the attention. Take this representative example:
Mona (2021) Pola Oloixarac Mona is the story of a young woman who has just been nominated for the 'most important literary award in Europe'. Mona sees the nomination as a chance to escape her substance abuse on a Californian campus and so speedily decamps to the small village in the depths of Sweden where the nominees must convene for a week before the overall winner is announced. Mona didn't disappear merely to avoid pharmacological misadventures, though, but also to avoid the growing realisation that she is being treated as something of an anthropological curiosity at her university: a female writer of colour treasured for her flourish of exotic diversity that reflects well upon her department. But Mona is now stuck in the company of her literary competitors who all have now gathered from around the world in order to do what writers do: harbour private resentments, exchange empty flattery, embody the selfsame racialised stereotypes that Mona left the United States to avoid, stab rivals in the back, drink too much, and, of course, go to bed together. But as I read Mona, I slowly started to realise that something else is going on. Why does Mona keep finding traces of violence on her body, the origins of which she cannot or refuses to remember? There is something eerily defensive about her behaviour and sardonic demeanour in general as well. A genre-bending and mind-expanding novel unfolded itself, and, without getting into spoiler territory, Mona concludes with such a surprising ending that, according to Adam Thirlwell:
Perhaps we need to rethink what is meant by a gimmick. If a gimmick is anything that we want to reject as extra or excessive or ill-fitting, then it may be important to ask what inhibitions or arbitrary conventions have made it seem like excess, and to revel in the exorbitant fictional constructions it produces. [...]Mona is a savage satire of the literary world, but it's also a very disturbing exploration of trauma and violence. The success of the book comes in equal measure from the author's commitment to both ideas, but also from the way the psychological damage component creeps up on you. And, as implied above, the last ten pages are quite literally out of this world.
My Brilliant Friend (2011)
The Story of a New Name (2012)
Those Who Leave and Those Who Stay (2013)
The Story of the Lost Child (2014)
Elena Ferrante
Elena Ferrante's Neopolitan Quartet follows two girls, both brilliant in their own way. Our protagonist-narrator is Elena, a studious girl from the lower rungs of the middle class of Naples who is inspired to be more by her childhood friend, Lila. Lila is, in turn, far more restricted by her poverty and class, but can transcend it at times through her fiery nature, which also brands her as somewhat unique within their inward-looking community. The four books follow the two girls from the perspective of Elena as they grow up together in post-war Italy, where they drift in-and-out of each other's lives due to the vicissitudes of change and the consequences of choice. All the time this is unfolding, however, the narrative is very always slightly charged by the background knowledge revealed on the very first page that Lila will, many years later, disappear from Elena's life.
Whilst the quartet has the formal properties of a bildungsroman, its subject and conception are almost entirely different. In particular, the books are driven far more by character and incident than spectacular adventures in picturesque Italy. In fact, quite the opposite takes place: these are four books where ordinary-seeming occurrences take on an unexpected radiance against a background of poverty, ignorance, violence and other threats, often bringing to mind the films of the Italian neorealism movement. Brilliantly rendered from beginning to end, Ferrante has a seemingly studious eye for interpreting interactions and the psychology of adolescence and friendship. Some utterances indeed, perhaps even some glances are dissected at length over multiple pages, something that Vittorio De Sica's classic Bicycle Thieves (1948) could never do.
Potential readers should not take any notice of the saccharine cover illustrations on most editions of the books. The quartet could even win an award for the most misleading artwork, potentially rivalling even Vladimir Nabokov's Lolita. I wouldn't be at all surprised if it is revealed that the drippy illustrations and syrupy blurbs ("a rich, intense and generous-hearted story ") turn out to be part of a larger metatextual game that Ferrante is playing with her readers. This idiosyncratic view of mine is partially supported by the fact that each of the four books has been given a misleading title, the true ambiguity of which often only becomes clear as each of the four books comes into sharper focus.
Readers of the quartet often fall into debating which is the best of the four. I've heard from more than one reader that one has 'too much Italian politics' and another doesn't have enough 'classic' Lina moments. The first book then possesses the twin advantages of both establishing the environs and finishing with a breathtaking ending that is both satisfying and a cliffhanger as well but does this make it 'the best'? I prefer to liken the quartet more like the different seasons of The Wire (2002-2008) where, personal favourites and preferences aside, although each season is undoubtedly unique, it would take a certain kind of narrow-minded view of art to make the claim that, say, series one of The Wire is 'the best' or that the season that focuses on the Baltimore docks 'is boring'. Not to sound like a neo-Wagnerian, but each of them adds to final result in its own. That is to say, both The Wire and the Neopolitan Quartet achieve the rare feat of making the magisterial simultaneously intimate.
Out There: Stories (2022) Kate Folk Out There is a riveting collection of disturbing short stories by first-time author Kate Fork. The title story first appeared in the New Yorker in early 2020 imagines a near-future setting where a group of uncannily handsome artificial men called 'blots' have arrived on the San Francisco dating scene with the secret mission of sleeping with women, before stealing their personal data from their laptops and phones and then (quite literally) evaporating into thin air. Folk's satirical style is not at all didactic, so it rarely feels like she is making her points in a pedantic manner. But it's clear that the narrator of Out There is recounting her frustration with online dating. in a way that will resonate with anyone who s spent time with dating apps or indeed the contemporary hyper-centralised platform-based internet in general. Part social satire, part ghost story and part comic tales, the blurring of the lines between these factors is only one of the things that makes these stories so compelling. But whilst Folk constructs crazy scenarios and intentionally strange worlds, she also manages to also populate them with characters that feel real and genuinely sympathetic. Indeed, I challenge you not to feel some empathy for the 'blot' in the companion story Big Sur which concludes the collection, and it complicates any primary-coloured view of the dating world of consisting entirely of predatory men. And all of this is leavened with a few stories that are just plain surreal. I don't know what the deal is with Dating a Somnambulist (available online on Hobart Pulp), but I know that I like it.
Solaris (1961) Stanislaw Lem When Kelvin arrives at the planet Solaris to study the strange ocean that covers its surface, instead of finding an entirely physical scientific phenomenon, he soon discovers a previously unconscious memory embodied in the physical manifestation of a long-dead lover. The other scientists on the space station slowly reveal that they are also plagued with their own repressed corporeal memories. Many theories are put forward as to why all this is occuring, including the idea that Solaris is a massive brain that creates these incarnate memories. Yet if that is the case, the planet's purpose in doing so is entirely unknown, forcing the scientists to shift focus and wonder whether they can truly understand the universe without first understanding what lies within their own minds and in their desires. This would be an interesting outline for any good science fiction book, but one of the great strengths of Solaris is not only that it withholds from the reader why the planet is doing anything it does, but the book is so forcefully didactic in its dislike of the hubris, destructiveness and colonial thinking that can accompany scientific exploration. In one of its most vitriolic passages, Lem's own anger might be reaching out to the reader:
We are humanitarian and chivalrous; we don t want to enslave other races, we simply want to bequeath them our values and take over their heritage in exchange. We think of ourselves as the Knights of the Holy Contact. This is another lie. We are only seeking Man. We have no need of other worlds. We need mirrors. We don t know what to do with other worlds. A single world, our own, suffices us; but we can t accept it for what it is. We are searching for an ideal image of our own world: we go in quest of a planet, of a civilisation superior to our own, but developed on the basis of a prototype of our primaeval past. At the same time, there is something inside us that we don t like to face up to, from which we try to protect ourselves, but which nevertheless remains since we don t leave Earth in a state of primal innocence. We arrive here as we are in reality, and when the page is turned, and that reality is revealed to us that part of our reality that we would prefer to pass over in silence then we don t like it anymore.An overwhelming preoccupation with this idea infuses Solaris, and it turns out to be a common theme in a lot of Lem's work of this period, such as in his 1959 'anti-police procedural' The Investigation. Perhaps it not a dislike of exploration in general or the modern scientific method in particular, but rather a savage critique of the arrogance and self-assuredness that accompanies most forms of scientific positivism, or at least pursuits that cloak themselves under the guise of being a laudatory 'scientific' pursuit:
Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers and without finding what lies behind doorways that he himself has sealed.I doubt I need to cite specific instances of contemporary scientific pursuits that might meet Lem's punishing eye today, and the fact that his critique works both in 2022 and 1961 perhaps tells us more about the human condition than we'd care to know. Another striking thing about Solaris isn't just the specific Star Trek and Stargate SG-1 episodes that I retrospectively realised were purloined from the book, but that almost the entire register of Star Trek: The Next Generation in particular seems to be rehearsed here. That is to say, TNG presents itself as hard and fact-based 'sci-fi' on the surface, but, at its core, there are often human, existential and sometimes quite enormously emotionally devastating human themes being discussed such as memory, loss and grief. To take one example from many, the painful memories that the planet Solaris physically materialises in effect asks us to seriously consider what it actually is taking place when we 'love' another person: is it merely another 'mirror' of ourselves? (And, if that is the case, is that... bad?) It would be ahistorical to claim that all popular science fiction today can be found rehearsed in Solaris, but perhaps it isn't too much of a stretch:
[Solaris] renders unnecessary any more alien stories. Nothing further can be said on this topic ...] Possibly, it can be said that when one feels the urge for such a thing, one should simply reread Solaris and learn its lessons again. Kim Stanley Robinson [...]I could go on praising this book for quite some time; perhaps by discussing the extreme framing devices used within the book at one point, the book diverges into a lengthy bibliography of fictional books-within-the-book, each encapsulating a different theory about what the mechanics and/or function of Solaris is, thereby demonstrating that 'Solaris studies' as it is called within the world of the book has been going on for years with no tangible results, which actually leads to extreme embarrassment and then a deliberate and willful blindness to the 'Solaris problem' on the part of the book's scientific community. But I'll leave it all here before this review gets too long... Highly recommended, and a likely reread in 2023.
Brokeback Mountain (1997) Annie Proulx Brokeback Mountain began as a short story by American author Annie Proulx which appeared in the New Yorker in 1997, although it is now more famous for the 2005 film adaptation directed by Taiwanese filmmaker Ang Lee. Both versions follow two young men who are hired for the summer to look after sheep at a range under the 'Brokeback' mountain in Wyoming. Unexpectedly, however, they form an intense emotional and sexual attachment, yet life intervenes and demands they part ways at the end of the summer. Over the next twenty years, though, as their individual lives play out with marriages, children and jobs, they continue reuniting for brief albeit secret liaisons on camping trips in remote settings. There's no feigned shyness or self-importance in Brokeback Mountain, just a close, compassionate and brutally honest observation of a doomed relationship and a bone-deep feeling for the hardscrabble life in the post-War West. To my mind, very few books have captured so acutely the desolation of a frustrated and repressed passion, as well as the particular flavour of undirected anger that can accompany this kind of yearning. That the original novella does all this in such a beautiful way (and without the crutch of the Wyoming landscape to look at ) is a tribute to Proulx's skills as a writer. Indeed, even without the devasting emotional undertones, Proulx's descriptions of the mountains and scree of the West is likely worth the read alone.
Luster (2020) Raven Leilani Edie is a young Black woman living in New York whose life seems to be spiralling out of control. She isn't good at making friends, her career is going nowhere, and she has no close family to speak of as well. She is, thus, your typical NYC millennial today, albeit seen through a lens of Blackness that complicates any reductive view of her privilege or minority status. A representative paragraph might communicate the simmering tone:
Before I start work, I browse through some photos of friends who are doing better than me, then an article on a black teenager who was killed on 115th for holding a weapon later identified as a showerhead, then an article on a black woman who was killed on the Grand Concourse for holding a weapon later identified as a cell phone, then I drown myself in the comments section and do some online shopping, by which I mean I put four dresses in my cart as a strictly theoretical exercise and then let the page expire.She starts a sort-of affair with an older white man who has an affluent lifestyle in nearby New Jersey. Eric or so he claims has agreed upon an 'open relationship' with his wife, but Edie is far too inappropriate and disinhibited to respect any boundaries that Eric sets for her, and so Edie soon becomes deeply entangled in Eric's family life. It soon turns out that Eric and his wife have a twelve-year-old adopted daughter, Akila, who is also wait for it Black. Akila has been with Eric's family for two years now and they aren t exactly coping well together. They don t even know how to help her to manage her own hair, let alone deal with structural racism. Yet despite how dark the book's general demeanour is, there are faint glimmers of redemption here and there. Realistic almost to the end, Edie might finally realise what s important in her life, but it would be a stretch to say that she achieves them by the final page. Although the book is full of acerbic remarks on almost any topic (Dogs: "We made them needy and physically unfit. They used to be wolves, now they are pugs with asthma."), it is the comments on contemporary race relations that are most critically insightful. Indeed, unsentimental, incisive and funny, Luster had much of what I like in Colson Whitehead's books at times, but I can't remember a book so frantically fast-paced as this since the Booker-prize winning The Sellout by Paul Beatty or Sam Tallent's Running the Light.
AA66280D4EF0BFCC6BFC2104DA5ECB231C8F04C4
I plan to use the new key for things like encrypted emails, uploads to the Debian archive, and more. Also,
the new key includes an identity with a newer personal email address I plan to use soon: arturo.bg@arturo.bg
The new key has been uploaded to some public keyservers.
If you would like to sign the new key, please follow the steps in the Debian wiki.
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Cheers!
Next.